...or something like that.
As I struggle out of my hibernation and back into a semi-normal existence, I find myself being almost disgustingly busy. I mean that in the best way, of course - spring is always busy, after all, and it’s refreshing after a winter of lurking in my room. We’ve been back at classes for a few weeks now and so far, so good. They’ve all been really interesting/pertinent to my major, which is delightful. Obviously ( or at least it is if you keep track of me on my other of social media accounts), this semester has been full of travel. It’s only going to get crazier. Let’s try to get caught up, shall we?
As you’ve hopefully figured out by now, dear readers, we’re going to be talking about Paris today. Fasten your seatbelts, because this is going to be one wild ride full of art, bones, and some really, really hardcore fangirling.
This gentleman certainly is.
First order of business: art/architecture. Now, I know this is a a rather broad category, so just bear with me. So, I’ve been to Paris before. A couple of times, actually. Therefore, you would think that at some point I would inevitably get tired of taking photos of the Eiffel Tower.
So very wrong. This is just a tiny selection of the majesty. I actually have a pretty embarrassing number of photos. Unfortunately, we didn’t go to the top; the lines were quite long and most of the time the weather was pretty grey and windy, so we didn’t see much of a point.
That being said, we did take a tour bus around the city. It was a pretty great way to see some absolutely incredible architecture (and it saved us a massive amount of time and effort getting from landmark to landmark). I won’t bombard you with photos of random buildings (also, they’re all on Facebook), but just know it was incredible. I could never get tired of just looking at Paris.
Probably the highlight of the art segment, though, was our trip to the Louvre! We didn’t get to spend as much time there as we would have liked, but it was still incredible. Everyone says you need a full day to really do it properly, but there’s absolutely no way to comprehend the enormity of it all until you’re actually inside. I’ve never been anywhere more beautiful or more massive. Obviously, we saw the usual highlights: the Mona Lisa, Winged Victory at Samothrace, etc. My personal favorites, though, were the miscellaneous sculptures. Not only do I find sculpture fascinating as an art form (It always leaves me awe-struck. l’ll never understand how people turn blocks of marble into such incredible things.), but it also leaves me giggling with gems such as these:
How I feel about 90% of the time.
Now, this last adventure I’m tacking under the art category for two reasons. A) It really is an art, and B) We’re saving the fangirl category for something really special.
That’s right, readers. I saw a show at the Moulin Rogue. It was incredible - and extraordinarily cheesy, which is partly why I enjoyed it so much. The dancing was phenomenal, sure, but what really made it for me was the silly music and ridiculous costumes. While it wasn’t entirely what I’d imagined (thanks, Baz Luhrmann), it was still very special. I would also do it again in a heartbeat. Our hostel was a very short walk from here, which made life easy, since the show didn’t end until almost 2 am. Speaking of which, the hostel was in a pretty cool area in general - very young and student-y.
Next stop: bones. By bones, of course, I’m referring to Les Catacombes, one of the largest ossuaries in the world. It holds the remains of about 6 million people.
While the tour only takes you through about a mile of the tunnel system, it actually extends about 200 miles. The rest is off-limits to explorers, I suppose to discourage vandalism and stop people getting lost. Fun fact: there’s only one documented case of someone becoming lost in the catacombs! His name was Philibert Aspairt and he was a doorkeeper for the Val-de-Grace hospital. In 1792, he wandered down into the catacombs through an entrance in the hospital courtyard and promptly disappeared for the next 11 years.
Spoiler: he was dead. Very dead. So, they buried him where he was found and erected a marker.
The moral of the story here, friends, is that we don’t wander into a 200 mile tunnel system of quarries, caves, and bones alone. Buddy system. Always.
These guys can vouch for it.
Alright. It’s time to be serious for a moment. If you’re not in the mood for story time, I suggest you just skip to the end. As I’m sure many of you know, I have a slight weakness for musicals. Particularly movie musicals. And by slight, I mean massive and borderline problematic. It started at an early age. I was probably around 10 or 11 when the movie musical for The Phantom of the Opera came out. It was a pivotal point in my young life; I was still at an age where going to the movies was a special treat and not just something to do on the weekend. I was with my best friend Sarah and her wonderful mother. We’d gone downtown to the old Warner Theatre and until this point, I didn’t know it existed. Walking in, I thought it was the most magical place I’d ever seen. Everything was red and gold and plush and it seemed so much fancier than the other theatre. In retrospect, I think it was just older. But to 11 year old me, it was exactly the place movies should be watched.
(It still is, but that’s beside the point. Y’know, since it’s closed and everything.)
Anyway, I walked out of that theatre a totally different creature. I was obsessed. Not just with the musical - with all of it, with the lore. I tracked down the novel and read it until the cover fell off and pages started falling out. I watched every iteration of the story, including the one from 1925 with Lon Chaney and the absolutely atrocious 1989 horror/gore-tastic version. Paris became my dream. It was so fantastical and dark.
I think what’s most important for me about Phantom, though, isn’t the story or the musical itself. I know there are better, less weird options. Let’s face it - Andrew Lloyd Webber is extremely weird. He wrote the entire thing as rather creepy tribute to his then-wife Sarah Brightman. He also looks like a naked mole rat.
No, what’s important about Phantom for me is that it became such a cornerstone for mine and Sarah’s bestfriendship. Bad day? Make some pizza rolls, put on Phantom and we’ll cry it out. Good day? Make some pizza rolls, put on Phantom, and tell each other all about it.
They just seem to go together.
When the 25th anniversary edition came out, we marathoned and compared notes. Don’t get me wrong - we have other inside jokes and favorite movies, what have you. Phantom is just our go-to. Honestly, I think it might’ve been the first movie we went to together.
So. Anyway. Do you know what I did in Paris this time around?
I WENT TO THE FREAKING OPERA HOUSE.
AND I SAW THE FREAKING CHANDELIER
(which actually did break at one point at one point in the opera’s history. A counterweight came free and came crashed through the ceiling. It only killed one person, which is pretty impressive, really. Oh, also, this incident inspired the similar scene in the novel!)
AND I TOOK A SELFIE WITH THE PHANTOM’S BOX.
Also known as Box 5, for those of you who know what’s up. The little plaque just says that the box belongs to the Phantom. Anyway, I’m basically in hysterics in this picture.
This little excursion couldn’t have come at a better time. As most of you know, Sarah and I have been best friends pretty much since the womb. She recently joined a convent and I’m so, so proud of her. She’s following her calling, which is so brave and incredible. While we write letters back and forth (I love having a pen pal), sometimes it’s just not the same as being able to text or call. I guess what I’m saying is that it was really nice to do something that made me feel close to her and, in turn, close to home. I’m looking forward to telling her about it and sending her the fabulous postcard I got for her.
Okay, stupid gushy tangent over. Promise. Long story short: Paris was amazing and I would happily spend the rest of my life there. I also have photos of the opera house that aren’t Phantom-related that I might post on here at some point, if people are interested.
I think that about sums it up! I should probably sign off now - I have to be awake and functioning in approximately three hours. We leave for Portugal tomorrow! If I’m not dead tired, I’ll try and write a post about Florence while I’m on the train/plane.
I wouldn’t get your hopes up, though.