#5.4.23

[louisupdates]

certifiedletterboy CLB x @louist91 💫

A couple of fun symbols for Louis 👊🏽

Follow @thelondonsocial 💫

#clb #smalltattoo #handtattoo

[Louis has new tattoos 5.4.23]

[joshhhhhhhhhhhhhhh]

Once you beat Xenoblade 3 you unlock a menu option in the clothing tab called attachments but it's literally just the city eyepatches or the Monado skin on swordfighter. Anyway wave 4 needs to give us Noah hair down as an option.

[louisupdates]

DMA'S praise 'amazing' Louis Tomlinson: "We respect him a lot"

Louis previously cited DMA'S as a heavy influence on his second solo album Faith in the Future

DMA'S praise 'amazing' Louis Tomlinson: "He's really cool, we respect him a lot"

Louis previously cited DMA'S as a heavy influence on his second solo album Faith in the Future

OFFICIAL CHARTS

By Carl Smith | 5 April 2023

When we spoke to Louis Tomlinson ahead of the release of his Number 1 album Faith in the Future last year, he couldn't have been more complimentary about collaborators DMA'S.

The Sydney rock three-piece - comprising Johnny Took, Tommy O'Dell and Matt Mason - inspired tracks like All This Time on Louis' second solo record after striking up a relationship with the One Direction star back in 2019; and the band would 'love' to see a team-up soon.

Chatting exclusively to Official Charts around the release of their brand-new LP How Many Dreams?, DMA'S guitarist Johnny explains how Louis influenced a track on their 2020 album THE GLOW.

"We got in the studio with Louis the first time we met him," says Johnny. "We sat around playing music; we played him some tracks off THE GLOW and played him the demo of Cobracaine.

"He’s obviously got a really great ear for pop music – and music in general – and he was like ‘maybe you should get to the chorus quicker.’ Just a little comment like that really helped. It was a good call, as a structural thing. We thought ‘yeah, we should get to the chorus quicker,’ and it ended up sticking."

When we tell him we admire DMA'S openness to working with an artist like Louis where many rock bands might have pre-judged his pop beginnings, Johnny explains: "When you’ve reached the heights that Louis’ reached, you’d have to be a little bit ignorant or naïve not to realise how much amazing stuff he’s picked up along the way. That’s my favourite thing.

"If I get into the studio with somebody who’s 10 years younger or 10 years older than me, I learn something new every time. That’s the great thing about any musicians getting together in a room; you just start talking and discover things through that discussion.

"Louis’ an amazing guy. He put me on the door for his gig in Melbourne, and I went backstage. We’d just played that same venue a few months before, and it was great to see him in Sydney. He’s just such a good guy. I love the way he champions young musicians. I really respect that.

"Louis’ really cool, I don’t have a bad word to say about that guy. He’s an amazing songwriter, too."

And Louis isn't the only 1D lad to have impressed Johnny and his DMA'S bandmates. Liam Payne's also an artist the group admire.

"It was the same when I first met Liam," says Johnny. "He was the same as Louis; they’re these guys that are up on this level, but they love guitar music and music in general. They’re open to championing young bands, those bands that are smaller than them, and lifting them up. They’re passionate about the music and that’s what it’s all about; everyone lifting everyone up."

[The above text has been edited.]

“It was the same when I first met Liam Gallagher," says Johnny. "He was the same as Louis; they’re these guys that are up on this level, but they love guitar music and music in general. They’re open to championing young bands, those bands that are smaller than them, and lifting them up. They’re passionate about the music and that’s what it’s all about; everyone lifting everyone up."

So we can see a DMA'S and Louis collab at some point, right?

"I’d love to," beams Johnny. "That’d be awesome."

Speaking to Official Charts about his admiration of the Aussie trio last year, Louis said: "I loved DMA’s last album THE GLOW, which Stuart Price produced. That has dance elements in it but was done in a really authentic way.

"It doesn’t feel remotely contrived or like a f**king made-for-radio pop-dance hybrid. That was really food for thought for me throughout the process.

"They’re amazing. I’ve been lucky enough to meet them a few times. Johnny [Took] came to one of my shows in Australia. They’re just really f**king lovely lads, great blokes. They’re an amazing live band."

Catch DMA'S performing at Y Not? Festival in Pikehall, Derbyshire this July.

DMA'S new album How Many Dreams? is out now via I OH YOU/MUSHROOM GROUP.

[Johnny Took and Louis Tomlinson in Melbourne, 26.7.22]

[louisupdates]

Pre-Order Louis’ first cover on In-Rock magazine through Amazon Japan now. The issue will be released on April 14, 2023. The cost is ¥800.

The magazine will include a 12-page feature and new interview.

[louisupdates]

All of Those Voices’: the Ugly Truth Behind Louis Tomlinson’s Rise to Stardom

THE TEEN MAG

By María Vieytez | 5 April 2023

A nostalgic embrace between four band members; longing words for deceased mother and sister; 23-year-old Louis Tomlinson drowning in doubt and uncertainty over a menacing future ahead as a solo artist. Such were the images publicly revealed for the first time on March 22nd, 2023 in worldwide cinemas as part of the feature-length documentary ‘All of Those Voices’. Such was the story former-One-Direction-member Louis Tomlinson had to share with his fans.

As Louies (the eponymous moniker Tomlinson’s fandom wears) gathered in different countries’ theatres to reminisce the good old days and get exclusive footage of One Direction and Louis’ backstage highlights, their rose-tinted expectations were forced away as they met with astonishing testimonies from his family, friends, and even himself, on what his journey toward his most recent album ‘Faith in The Future’ truly meant. What Louies once believed to be a straight-lined success story —certainly involving battles previously revealed by the media, but nonetheless not as brutal as those portrayed in the movie— encapsulated in an endearing hour-and-a-half film, resulted in being a moving insight and blow-to-the-face documentary, leaving many with a larger admiration of their icon’s strength, and some others with a torn heart, feeling deeply sorry for a man who now appears most vulnerable before their stricken eyes. Regardless of having received it with the former or latter perspective (or a mixture of both), the film was responsible for portraying the raw reality that comes with self-doubt as a rising star, an unexpected separation from a hit-wonder band, and the passing of a mother and a sister in a matter of two years; here’s what that looked like.

Taking his Own Direction

Tomlinson was a member of the British band One Direction, releasing five hit-albums, touring with the other four members for five years, selling over 70 million records worldwide, bringing home seven BRIT awards, seven AMAs, and creating what appeared the perfect $215 million business empire, until his world came down when the band decided to go on an “18-month” hiatus in 2016, and he was left stranded.

“I think the feeling I remember the most is a little bit of anger, because I didn’t want to go on a break. It didn’t just upset me, it shocked me. I wasn’t prepared for it... It was not as if in the five years I was in the band that I’d ever dreamt about being a solo artist. Not once, because I was so obsessed with us moving as a unit and being part of this team. I’ve spent all my years doing this, I don’t really see myself doing anything else … It was very easy for me to imagine Harry having a solo career, Liam having a solo career. It was harder for me to imagine myself doing that. It was like, what the fuck am I going to do?”

The band’s separation meant the start of a foreign era and the abandonment of what appeared to be a gleaming past. However, when presented with the reality of Louis’ role as part of the band, "All of Those Voices” exposed it to be near-as emotionally damaging as his aimless solo era proved to be. “I didn’t know at the start who I was within One Direction”, he explained. Louis revealed that during the band’s beginnings, he felt like an odd-fitting piece inside a collective, a sense further abetted by his lack of vocal feature on their first album. He would stream their songs from “Up All Night” —One Direction’s debut— and hear Harry Styles’ voice on the verses he’d spent hours recording, and soon realized, that his presence in the band was dismissed, making him feel unworthy of the fans’ praise. “When I think about how proud I am of 1d, I think of it as a collective”, Louis stated. He didn’t feel as if his work was an element of the band’s success until he began to take the lead in songwriting; then, his perspective changed. “If I think about what makes me the most proud as me, as an individual in that band, it’s definitely having the most writing credits”, and by “most”, he means more than 35 credits throughout the five years of One Direction’s production.

Although Louis’ personal testimony about One Direction in the film started off appearing as pitiable, the development and end of such, proved it to be an opportunity for growth and personal development, which allowed him to be, one of, if not the best lyricist amongst the boys’ solo careers, something shown initially in his album ‘Walls’, and most recently, in ‘Faith in The Future’. Nevertheless, Louis’ struggles were far from over, because only eleven months after 1D’s separation, he would suffer from great loss.

In December 2016, Tomlinson went on stage at The X Factor final for his debut solo television performance. As he put on a show with his single “Just Hold On” with Steve Aoki on the mixer, his gaze met with the ceiling, and his eyes gleamed as he sang through grief. Three days prior, Louis’ mother, Johanna Deakin, had died from leukemia at the age of 43. Still, Louis, with a heavy heart, and a soul yearning for a mother who, in life, had been a best friend, came on stage and got a standing ovation from the X-factor judges.

“The bottom line is, I didn’t want me mum feeling like what happened to her was going to jeopardize my career,” he recalls. “I had just got this feeling from her and the things that she was saying that I was just to keep doing what I’m doing, trying to keep strong. I got up on that day for her more than I did me.”

Louis’ resolution after his mother’s passing was to keep living “one life for the two of us”, as he expresses in his song ‘Two of Us’, featured as a eulogy for Johanna in the album ‘Walls’. The beginning of his solo career presented itself as an opportunity to make her proud, and such a feeling was transmitted to his entire family in the mourning process.

“She would not have allowed us to kind of sit and let stuff take over our life or let anything ruin our life,” Louis’ sister, Lottie, says in the film. “She brought us up to be strong and she brought us up to look after each other and just to get on with things.”

Louis' career was bound for success. In 2017, he released his single 'Just Like You', in which he portrayed the reality behind fame and the battles he shares with every ordinary person in the 21st century.

“The fans have seen so much and got to know us so well, but I’ve never really had a chance to be as honest like that with music. So that was really refreshing. It was just important for me to write a song that could humanize me as much as possible, and that the fans could really feel like I'm just like them – honest and vulnerable and real.”

'Just Like You' became Louis' tool to show that, as a human, he suffered from heartbreak just like his fans do. Little did he know, that soon, his heart would break even further, as he would lose his sister Félicité only two years after his mom's passing. A drug-use overdose would take away his 18-year-old sister's life after a relapse, setting Louis back in self-doubt and lost in his journey.

“We did a lot, me and Louis, working together to try and help Fizz,” Lottie says in the documentary. “Obviously, it didn’t work. I felt that, kind of, how could we not get her out of this? I can only imagine how he felt. I’m sure it was heightened, one because he’s a brother and two because he probably felt the responsibility from our mum.”

“Life always throws shit at you,” Louis said. “Yes, I’ve had maybe more to deal with than most people my age. But then, when the natural things happen in life, when things weren’t going my way, I couldn’t deal with it. It was like, but I’ve already had so much to deal with. When am I going to start winning?”

Nonetheless, Louis would yet again use this loss as an opportunity for growth, and a year later, he would release his first studio album, 'Walls'.

Recovery and new Album Releases

In 2020, things started to look up. Louis' debut album 'Walls' was released, including tracks such as 'Don't Let it Break Your Heart', in which he expressed that he was "driving down a one-way road to something better...what hurts you is gonna pass, and you’ll have learnt from it when it comes back. You'll be doing better". His growth was evident, and his album, a success.

Walls had gained over 780 million streams, and Louis was about to start the European leg of his world tour, when the pandemic hit, and he was forced to stay home. In the film, Louis shared that he spent time in quarantine between producing his most recent album, 'Faith In The Future', and visiting his son, Freddie, in Los Angeles.

Back to normality, Louis continued with his tour, in which he traveled from Europe to South and North America, in a self-discovery process and recovery, in which he was able to finally recognize his value and the weight of his voice. While he was on stage, his fans reassured him of the importance he held in their lives, and in his shows, he'd often say "I need you, you need me". Mid-tour, his second album was released, and as he got to perform it before the crowds, the love transmitted to him on the stage, became even more fervent.

"I've just spent so long working for this moment, and tonight was the pinnacle of that idea. It's like me life just flashed before my eyes on the stage... I just feel blessed, man"

'All Of Those Voices' placed the story of Louis' journey from a dark place to becoming one of the brightest stars in the music industry, on the big screen. From severe loss and crippling self-doubt, Louis rose above the challenges in his career, achieving over 180 million streams on his most recent album. His story became one that inspired millions of fans around the world, and, in retrospect, he's finally able to admit that "Yeah, I do feel like I deserve this, and that's probably the first time I've actually said that out loud".

[louisupdates]

Louis has liked Ava Lily’s post today [5.4.23]

[joshhhhhhhhhhhhhhh]

mario movie thoughts ig lol

I don’t really have any idea how to concisely sum up my thoughts on the Mario movie, so uh, to hell with being concise! Spoilers and also negativity if that bothers you

I’m absolutely gonna have way more negatives than positives so just gonna get the positives out of the way before I start complaining.

The effective intro to the movie is good. Mario and Luigi are set up pretty well as characters and especially as brothers that value one another. They’re embracing the plumbers from Brooklyn backstory and even giving Mario tons of new family members who can treat him like shit so that we want to root for the underdog and stuff. And it works, it’s endearing. Also full of general Nintendo references because hey, enjoy your 5 microseconds of spotlight Punch Out and Starfox fans lmao. Not gonna call this part flawless, but it’s effective at setting up the central conflict and emotional core of the movie. It’s also very much the reason that Mario finally rescuing Luigi at the end of the movie worked well, in fact that scene ended up being almost the only time I felt emotion in the entire movie lol.

I think Donkey Kong is done fairly well? The approach they take is effectively making him and Mario frienemies with more in common than they like to admit. They’re able to see themselves in one another through their poor relationships with their dads and while it’s not explored in uhh any depth at all I think it’s a nice idea, in general I appreciate that Donkey Kong’s history is recognised here and he’s given quite a large role in the movie accordingly.

On embracing the Brooklyn stuff, I think in general it’s nice how open this movie is in its appreciation for Mario’s history and lore. They’re not trying to soften Mario for the masses or anything, Bowser’s still out to marry the princess, Mario still eats mushroom to go big, Nintendo like recently said Mario’s not really a plumber anymore but he sure as hell is in this movie. There’s not actually too many more examples, but it’s still just nice to see a movie that’s unafraid of its source material. There are even a few ways it builds on the source, the thing sticking out most in my mind being DK and Peach getting to use the fire and ice flowers respectively, which is sick! We’ve not seen that in Mario before and it lets them have cool new designs and stuff! I’m about it!

The other big point of praise is of course that the movie looks and sounds pretty fucking great. These character designs are iconic for a reason and this animation brings them to life in a way we’ve never gotten before, with a Mushroom Kingdom at scale to match. It’s a stream of Mario iconography rendered in beautiful detail beamed straight into your eyes. And indeed, taking a series as musically rich and remembered as Mario and just giving those tunes movie composition worked super well, the soundtrack breathes even more life into the world. Even the voice acting was better than expected, Pratt was competent enough to work in his role and most of the rest of the cast give fine performances.

And that about ends the praise! Yep, really. Fuck, if anything I gave more praise there than I thought I’d manage to when I set out to write this. And so, let’s dig into where I thought the movie sucked.

The biggest thing I feel is wrong with this movie, by far, is that it concerned itself with looking and feeling like Mario, and then accomplished absolutely nothing else. There’s like nothing that happens in this that’s worth caring about in the slightest. It jumps from scene to scene to stuff as much Mario imagery down your throat as possible without letting you have time to breathe and appreciate what’s on screen for more than 5 seconds. Emotional beats are introduced and handwaved away in the span of mere moments for the sake of, what exactly? There’s a scene where Peach is evacuating the toads and tells main Toad to go, and main Toad says he’ll stay because he promised to protect her, and then Peach just smiles and the scene continues. No buildup, no catharsis, no actual character arc or growth or recognition of anything they’re worth - it just kind of happens in a 5 second window and then moves on. And then the whole movie feels like that. It knows it’s supposed to tell a story since hey it’s a movie, but it’s afraid of actually committing to that, so we just get literal scraps of interesting characterisation while the movie instead focuses on doing action scenes or telling shitty jokes.

And god for that matter the jokes really do suck. You can feel the sheer “this would be good in a trailer” for every single one of them. Haha Mario’s dressed like a cat and DK is laughing! Haha that cute baby luma with child voice is actually saying cynical edgy stuff! Haha the toads are calling themselves adorable! And because there’s no attempt to actually build on any jokes and create like actually interesting and funny running gags, it’s literally just a series of nonsequitor one-liners that exist for like... the sake of gifs? For parents to share on facebook? Or something? There’s a couple fun slapstick visual gags but the actual joke writing is just eye-rolling.

Also despite liking DK himself in this movie, I found the Kongs in general to feel super weird? Like I’m not strictly a Donkey Kong fan - I’ve beat Country Returns and honestly that’s about it - but for having praised the movie’s accuracy to Mario lore earlier I feel I should call out how little a shit it gives about Donkey Kong lore. There’s no attempt to embrace any aspects of the DK setting or original lore whatsoever, it’s all just new shit made up for this movie, things that outright contradict DK lore even. Cranky is DK’s dad now! That’s not correct! And not just that but Cranky is the fucking king? Of the Kong species and the Jungle Kingdom? Like what?? If the movie wasn’t really faithful to Mario this wouldn’t bother me in the slightest but because they’re so careful to accurately represent Mario lore it feels downright disingenuous to just throw everything that ever mattered in Donkey Kong out the window. Like yeah the movie is called Mario but guess what the first game with Mario was called, yeah? And on Kongs, Cranky is absolutely fucking unbearable. Like actually by far the most insufferably unfunny and atrociously acted character in the movie, bar none. I was actively annoyed when I had to listen to him speak, I’d take a whole cast of Chris Pratt over the voice that Cranky ended up with.

I’m also weird on Peach. I don’t necessarily mind the girlbossification - if anything she gets the coolest action scenes in the movie anyway and she ends up quite fun to watch for it, but they actively scrub away Peach’s usual self to that end? I’m down with her playing a leading role and getting to kick ass and not just being a damsel in distress but surely the polite pink super girly princess that she’s always been can also be a thing this movie recognises, right? It’s not out of character for Peach to be both at the same time, we literally have Smash! Most things Mario the series does are timeless and inoffensive with Peach being the only real holdover from earlier bad attitudes, but hey movie execs you know you’re allowed to have your cake and eat it here? Peach can bake cakes and be badass at the same time? Girls give me gender envy man I’m tired of seeing traditionally girly characters forced into the exact same badass cool girl mold, it literally feels more sexist to admit that you can’t be badass and girly at the same time. Mario’s an everyman, it’s hard to get him wrong. Luigi’s cowardly but rises to the occasion, despite a lack of screentime the movie still portrays the Luigi we know and expect. Bowser’s an evil fucking bastard that wants to marry the princess, the movie delivers exactly that. Peach is the missing link. The Peach we know and love, only half of her is in the movie. It sucks.

I’ve probably not emphasised the sheer lack of even remotely interesting storytelling in the movie so I’m gonna double dip to complain about Mario and Peach’s relationship. It’s just so, not a thing that feels written by humans. Peach is excited to meet Mario because he’s a human. Then she’s kinda just standoffish almost because #Girlboss. Then without him really doing anything Peach suddenly thinks of Mario as like her closest friend. And that’s effectively where they stay the whole movie. There’s not like a moment where it clicks that they have good chemistry or anything, there’s no established setting that sells me on their dynamic with few words like Mario and Luigi earlier in the movie, it’s just they’ve met and they’re kind of a thing. There’s even a scene where Mario like chats to Peach and DK is like “dude your flirting game SUCKS she’d never date you!!” and Toad is like “uhh fuck you she totally would!!” and Peach is just like “come on guys” all playfully, end scene. What’s the fucking POINT dude. This movie’s the origin story! And it’s being exposed to millions upon millions of people that have never stomped a goomba before! You can’t just “boy meets girl” Mario and Peach’s relationship in the context of a feature length animated film! There needs to be chemistry there needs to be development there needs to be conflict there needs to be something worth latching onto and there just isn’t.

Feel like I’m running out of specific things to say here so I’ll probably just end it here roughly. The tl;dr is that the movie’s good at being Mario but really bad at being a movie, and yeah as it turns out that’s absolutely a bad thing. Yeah maybe your favourite Mario enemy appeared and maybe you heard a familiar tune but did you get good writing? Or even a fun story? Nice humour? Anything that goes into a good movie? I get that Mario’s not story heavy so making a movie was a tough shot in the first place but there’s gotta be more that can be done than this. Game accuracy and following the lore doesn’t have to come at the expense of writing a good linear movie. It’s nice that we got game accuracy! But we should be aiming higher than that. Alas, we got the safe, bland, totally inoffensive and unmemorable Illumination movie we all feared we’d get. And somehow I’m still disappointed.

As a parting note, it’s 2023, post-credits scenes for life. This movie’s post-credits scene is woah a Yoshi egg and it hatches but cuts to black before we see what’s inside of it! With the “Yoshi!” voice line then playing! Gee I wonder. But fucking honestly, if the movie does well and we get this sequel they’re baiting. I don’t see myself watching it in cinemas at all. I’m sure I’d watch Mario movie 2 or whatever but at this level of quality? I certainly wouldn’t dare pay money for it. That’s all.

[joshhhhhhhhhhhhhhh]

Okay so despite my sadposting about the Sonic movie not feeling enough like Sonic and the Mario movie being closer to something worth aiming for by actually representing the series it comes from uhhh

Sonic movie 2 absolutely clears Mario movie, wow