As an aro-ace person, I feel like unfortunately, the it’s actually a pretty realistic representation that the aro-ace orientation won’t come up in daily life in an obvious way, unless you are explaining your orientation to people? It’s like you don’t like papayas, you don’t go to the papaya market, and most people eat papayas at home in private anyways. You won’t even think about papayas yourself unless there is one in front of you, so other people never realize you don’t like papayas...
If I’m understanding what you wrote correctly, it sounds like being aro-ace is something that doesn’t come up for you as something that impacts or affects your day-to-day life (positively, negatively, or neutrally), and so it doesn’t feel out of place for characters in books to be labeled as aro and/or ace and not have any further mention or exploration of that. That’s totally fine! But it’s the complete opposite of my experience.
While it’s true it’s not something I tend to bring up in conversation frequently, that’s mostly because having to explain myself to people who don’t share my identity, or make one-off comments that are going to get forgotten or ignored because people won’t get or appreciate what I’m saying, is not something I feel like doing. When I lived with an aro friend of mine, we’d talk or make jokes or do the verbal equivalent of shitpost about it all the time, and while I haven’t done so in a while, I’ve also talked about it at length with other ace/aro friends of mine, particularly in the context of media and fandom.
(That’s another thing – we’re at the stage in fiction where we can have only one ace and/or aro character at a time, despite the fact I know and am friends with plenty of other (mainly ace) people, socially and even professionally.)
Otherwise though, my being aro and gray-ace impacts my life constantly. It intersects with my dreams and plans for the future with no romantic prospects (what kind of living situation do I want, will I ever achieve it, who are the people I will build a life with and what will that look like), my varying comfort levels around people in romantic partnerships depending on who they are and how I know them, my relationship to gender (or lack thereof), my reactions to the media I consume and enjoy, my body, my experiences and relationship with the larger queer community, and a whole bunch else. Hell, it even materially affects my life (e.g. remaining unmarried = no chance of those sweet tax benefits married folks get).
Sex/sexual relationships and romance/romantic relationships are incredibly loaded assumed-universal expectations with an enormous amount of cultural/societal/religious/etc. meaning and import imbued within those ideas and realities that are impossible to ignore. Unlike papayas, I can’t actually avoid the existence of sex and romance, because those narratives and assumptions and expectations are everywhere and affect everything. Even if I don’t engage in sex or romance, I’m gonna have some kind of relationship to them, whether I like it or not.
That’s what I meant when I say that authors labelling characters ace and/or aro and doing nothing beyond that is inadequate. Even if a character isn’t sexually attracted and/or romantically attracted to people and doesn’t engage in any sexy activities and/or date for those reasons, it’s reasonable to expect that their being on the outside of assumed-universal, “human” phenomenons is going to affect how that character sees themselves, relates to their friends and peers and family members, their own expectations and those of others about what they want, etc.
And that’s what I want to see in fiction. I want to see ace and/or aro characters written with, for lack of a better word, consequences for that specific character to be such in an allosexual, alloromantic world, and the thoughts that character has and the choices that character makes as a result, thoughts and choices they might not have had if they weren’t ace and/or aro but still inhabited the same world.
(This is for realistic fiction, I have different desires for SFF, where creating societies and species with different understandings of and relationships to gender and sexuality is already relatively normalized, so it theoretically shouldn’t be too much of a leap to incorporate lack of sexual and romantic attraction into that schema, but again without writing it off entirely as “oh that’s just normal here” and going no further, because that continues to defeat the purpose.)
(Also when I made that comment about the one line thing, I had in mind how I’ve mostly seen it used for secondary characters, not protagonists, which in some ways is even more insulting because then authors have the “excuse” of going “well, I didn’t have room to do more than that, or that wasn’t my focus, or I was worried about shoehorning their identity in”, in which case I’d rather they just not write that sentence and leave the reader to assume the characters are straight, in all senses of the word.)











