@eladead | plotted starter.
SLASHERS ARE SUDDENLY EN VOGUE AGAIN, CRICKET'S NOTICED. the vast majority of the screenplays her agent pushes on her involve her playing a dead teenager (or would be dead teenager) getting chased around by a MANIAC with some kind of melee weapon. hacksaws, axes, machetes. one featured a katana. but she only takes the jobs with the biggest number of ZEROS attached at the end.
which is how she ended up here, on set with the vampire lestat. (she wouldn't have taken the job had she known she'd be upstaged by this guy, but as they started working together she found she actually kinda enjoyed his company.) cricket's heading back to her trailer for her lunch break, pulling off the dowdy brown wig they forced on her-- to cover her dyed blonde curls and really un-sex her. to make her a convincing, VIRGINAL FINAL GIRL. she hates seeing herself in that wig. it takes her back to the old days. the cricket farrow days. unglamorous, white trash, impoverished. she's living her second act now, and she doesn't like being reminded of the first.
she's so concerned with the wig she's wringing in her bony hands that she flat out TRIPS over what's laying on the backlot outside the stage door. it's only when she pushes herself up from the pavement and realizes her hands are STICKY and CHERRY RED that she realizes what the speed bump actually is.
A DEAD BODY. the bloody, pale, eviscerated corpse of-- wait, that's the guy playing the stoner archetype. one of the actors, dead on set. staring up at her with dilated pupils and a slack jaw. cricket doesn't know what to do, but her feet seem to. they carry her all the way to lestat's trailer and bang on the door.
"you've gotta come out and see this," she calls, frantic. she's not stupid enough to accuse him (hell, there's way too much blood left at the scene for a vampire to be responsible) but she doesn't know who else could've done this. it sure wasn't HER. she doesn't shit where she eats. "some psycho left us a present out here."











