pda ▲ train ▼ os
Sasha Toille has coughed his lungs up on live television and even he can see it’s not a good start.
The girl, the child, rushes away from him as soon as he boards the train, and he hasn’t got the willpower to rush after her. They will both be dead soon. It is no use pretending otherwise. She couldn’t lift a dagger and he can’t even breathe. District Eight sure got lucky this year.
He’s quietly impressed, as much as he ever is, by the extravagant elegance of the train. Chandeliers like icicles hang from the ceiling, the kind of beauty that, in the grey world of Eight, is only seen in picturebooks and on television.
Sasha saves up these glimpses of beauty, he had since he was little. A flower, a snowstorm, a ribbon blowing in the wind, he catalogs these images and saves them up for when the world is too dull, too dark, too monochrome.
It is real. Beauty is real. There is more to life than the paving slabs of an uninspired mind.
And now he is here, in the midst of it. Beauty feels as though it is a tangible thing. He rises onto the tips of his toes and raises an arm to try and touch the glass chandelier, before pausing.
In the corner, his mentor and Escort stand, very close to one another. Carnation the picture of earnestness, Maximus an image of bittersweet submission. Her small hands reach out and touch his neck gently and he shivers, eyes closed.
"Carnation I... I can't..." He seems as if he is about to resist, but her hand moves up to caress his face and he sighs, melting into her touch. "I... I can't breathe straight..."
"Um." Sasha says.
The pair whip around to where the small boy stands, staring blankly at them from behind huge glasses, standing forward on tiptoes as if he's trying to fly. Carnation Wells steps forward, trying to pretend nothing happened.
"Are you feeling better now, Sasha?”
Sasha is uncomfortable with public displays of affection. He has never once considered himself in love, or even close to it. Aesthetic beauty he appreciates. But love, to him, is just a bunch of people touching each other all over and pretending to understand the endless complexities of each other’s minds. They will never be one. There will always be secrets. Love, however pure in intent, always makes him feel dirty. And there is something explicitly wrong with this romance. Still, he offers his mentor a polite and thoroughly forced smile.
“Yes, thank you. Much better. Just... a little hungry.”
As he says it, he rests his limp hands on his concave stomach while it makes a noise of protest. It is a noise that he is used to ignoring, but the smell of food wafting through the train is too great for him to resist. Carnation, undeterred by his lack of openness, lets out a pleasant laugh and gestures for Maximus and Sasha to follow her into a room laden with more food than he has ever seen before. The tables seem to creak under the weight of it. Despite himself, he lets out a grin, a flash of teeth showing from behind normally pursed lips.
Carnation piles her plate high with bright fruits, in every colour of the rainbow, and seems to revel in their sweetness, catching stray droplets of juice elegantly with a pink catlike tongue. Maximus, as ever, overeats, and spends the rest of the meal sprawled in his chair fighting between his desire to sleep and his desire to watch his nymphlike lover. And Sasha, to both of their vague disappointment, eats a rather meager amount, sticking to familiar foods like breads and broths and meats. Both Mentor and Escort alike are unimpressed with their decidedly bland tribute, but they are too busy looking at each other to care, much.
Maximus reaches out lazily to brush a seed away from Carnation’s lips.
Sasha sits and waits for some kind of advice.
Carnation giggles sweetly and brushes Maximus’s lank hair away from his brow.
Sasha sits and wonders if they even got the memo that they’re supposed to be helping him.
Maximus catches Carnation’s hand and presses it to his lips.
Sasha sighs, rolls his eyes, and quietly quits the room, unsure if they even noticed his departure. On the way out, he picks up a small batch of prettily shaped cookies, and plays with the ribbon between his fingers. Then, when he passes the door of Edison, of the child, he places the bag on the floor just outside. Because despite it all, Sasha Toille is sickeningly sentimental at heart. And she is tiny. And she missed dinner. And she will be dead soon.
And then he goes into his room, and uses what space there is to dance until the train pulls up into the Capitol.











