It canonically happened, i saw it myself, trust me
Also, I could've made him transfem, but i think transmasc is more iconic imo
All c! not cc!
DTEAM SUPPORTERS AND PROSHIPPERS FUCK OFF!!! THIS ISNT A SAFE SPACE FOR YOU
#dc comics#dc#bruce wayne#batman#dick grayson#dc fanart#tim drake#batfamily#batfam


seen from Australia
seen from Brazil
seen from Germany
seen from Israel
seen from South Korea
seen from Brazil

seen from Australia
seen from United States
seen from Türkiye
seen from United States
seen from Malaysia

seen from Italy

seen from Costa Rica
seen from United States
seen from Australia
seen from United States
seen from China
seen from Australia

seen from Australia
seen from China
It canonically happened, i saw it myself, trust me
Also, I could've made him transfem, but i think transmasc is more iconic imo
All c! not cc!
DTEAM SUPPORTERS AND PROSHIPPERS FUCK OFF!!! THIS ISNT A SAFE SPACE FOR YOU
in honor of the 5-year anniversary of folklore, put your top 3 tracks in the tags
Doodles from the exile era of hc10
i think i’ve seen this film before
and i didnt like the ending
"In 1922, four years after the Zaydi dynasty known for its long legacy of anti-Jewish edicts resumed the throne, the government of Yemen reintroduced the medieval Islamic law requiring Jewish orphans under age 12 to be forcibly converted to Islam (gezeirat ha-yitomim) [known as the Yemenite Orphans Decree]. Haybi captures one such unfortunate child, earlocks shorn, surrounded by his Muslim guards. (Ironically, the traditional Jewish practice of wearing earlocks, or pe’ot, was forced upon Jewish men as an act of humiliation, because they were regarded as effeminate.)
In another, Jewish men are seen engaged in the demeaning task of disposing of animal carcasses outside the city walls. Vultures crowd the foreground of the picture frame, flapping their wings and kicking up the dust, adding to the sense of filth and abasement. In a kind of topographical palimpsest that may have been a tribute to the community’s tragic past, Haybi even photographed the dry Al-Sayileh riverbed where Sana’a’s Jews lived until their expulsion in 1679 [known as the Mawza exile]. Upon their return a year later they were confined to a swampy area of the city where they constructed the Jewish ghetto."
Excerpt from Available Light: Pictures from Yemen
Describing Scenes of Sana’a: Yihye Haybi’s Photographs from Yemen, 1930–44.
EXILE folklore: the long pond studio sessions
Went to the beach and did some thumbnails for background practice. Then I made it exile. For the nostalgia