Initial engagement with box was playful, utilising colour, attempting to multiply the number of boxes, using glue, and twine to bind. Disinterest in this transformation catalysed ripping of boxes into smaller pieces which were then bound by twine, a medium and method I enjoyed during my first experimentation. The result: highly textured, sculptural, waste-made, yet remaining was twelve small cardboard pieces that were physically unbindable. An attempt to create the same textured sculpture on a larger scale using garbage had disappointing results. Hence, after revisiting documentation, small cardboard pieces were discovered, and manipulated into digital collages, firstly shaping letters, then emulate brand logos due to interest in the intersection of ‘left overs’ with materialism. This inspired the collage of the Louis Vuitton monogram, the selection of this pattern as a result of its being an icon of luxury brand culture which perpetuates an unrelenting materialist philosophy. The irony of its assemblage from small cardboard scraps was initially in a criticism of increasingly mass produced exorbitant luxury fashion. Upon completion, the rough, frayed, disjointed, textural qualities of the image appear as if the iconic monogram is, disintegrating, rotting, suggesting the transience of materialist trends, stating that they will inevitably disintegrate.