Jun 1, 2022
Sylviane Diouf's DREAMS OF AFRICA IN ALABAMA: THE SLAVE SHIP CLOTILDA AND THE STORY OF THE LAST AFRICANS BROUGHT TO AMERICA (@oxunipress) #adphdbooks https://instagr.am/p/CeRy1HTFmRI/ Follow #ADPhD on IG: @afrxdiasporaphd
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Sylviane Diouf's DREAMS OF AFRICA IN ALABAMA: THE SLAVE SHIP CLOTILDA AND THE STORY OF THE LAST AFRICANS BROUGHT TO AMERICA (@oxunipress) #adphdbooks https://instagr.am/p/CeRy1HTFmRI/ Follow #ADPhD on IG: @afrxdiasporaphd
Annapolis, Baltimore, DC. Slavery cities. This is a really good article. #Repost @afrxdiasporaphd (@get_repost) ・・・ Janice Hayes-Williams speaks to Lisa Snowden-Mccray for the Baltimore City Paper #ADPhD #history #slavery #archive #sources #diaspora
from A WOMAN OF ENDURANCE by Dahlma Llanos-Figueroa #adphdbooks https://instagr.am/p/CeN_dJpuiLn/ Follow #ADPhD on IG: @afrxdiasporaphd
#repost @newgenerationscholars 🚨TOMORROW ❤️// INTERSECTION OF BLACK FILM AND LITERATURE// 6 PM - 7:30 PM EST// Join @ the LINK IN BIO for access to the FREE, African centered Global education platform at NGS!!! Also quick shoutout to all the folks from last week! Can’t wait to see you again! This course will use Black film and literature to examine love, trauma, and healing in the Black community. Studying the works of bell hooks, Ntozake Shange, and Baltimore’s own Angel Kristi Williams and Kirby Griffin. https://instagr.am/p/CdmYPMNFhgV/ Follow #ADPhD on IG: @afrxdiasporaphd
AUTOCHTONOMIES: TRANSNATIONALISM, TESTIMONY, AND TRANSMISSION IN THE AFRICAN DIASPORA by Myriam J. A. Chancy @myriamjachancy (@illinoispress) #adphdbooks https://instagr.am/p/CeRyjSqFltz/ Follow #ADPhD on IG: @afrxdiasporaphd
#repost @blackrhizomes @alexoteric #collageart #collage #collagist #cutandpaste #afrofuturist #afrofuturism #blackart #blackarts #blackscifi #scifiart #dadaism https://instagr.am/p/Cd726QxOM8e/ Follow #ADPhD on IG: @afrxdiasporaphd
Black World Seminar Seven | Fall 2022 | faculty convener: @jmjafrx https://instagr.am/p/Cdzc64ZslNz/ Follow #ADPhD on IG: @afrxdiasporaphd
#Repost @renderingrevolution • • • • • • On the islands of Saint-Louis and Gorée, off the coast of present-day Senegal, headwraps were central to the self-styling of signares, a class of mixed-race women who reigned over these islands and wielded economic power through commercial networks and interests in the trans-Atlantic slave trade. As the progeny of several generations of concubinage between African women and European men, signares used their connections with white men to their advantage. Travel writers described these women as expressing power through their self-presentation, most notably their headdresses. Antoine-Edmé Pruneau de Pommegorge spent twenty-two years in West Africa as a merchant and described the signares’ headwraps as follows: “They wear a very artistically arranged white handkerchief on the head, over which they affix a small narrow black ribbon, or a colored one, around their head.” According to George E. Brooks, this white handkerchief headwrap would evolve into a “striking cone-shaped turban, artfully constructed with as many as nine colored handkerchiefs,” and would become “the hallmark of signares in Senegal and the Gambia.” Senegalese model Khoudia Diop (@melaniin.goddess) was styled as a signare in Gorée, embodying the spirit of the women who asserted their presence on the island through their sartorial ingenuity. #renderingrevolution https://instagr.am/p/CFPWeKpg-F6/ Follow #ADPhD on IG: @afrxdiasporaphd