#adrian smith

[wh40kartwork]

Behemoth

by Adrian Smith

[ross-hollander]

And now, for...

...my personal Mt. Rushmore of Warhammer artists (minus the uninvited defacing of any mountains). Not a ranking, mind you. Just had to list them somehow; they're all greats to me.

First among equals, John Blanche.

His works made much of what would become the stock visual language of 40K. Brutal, overwrought, bodies meshed with armor and machinery. This has since inspired the 'Blanchitsu' painting style- miniatures that looked tattered, worn, caked with dust.

Second up: Karl Kopinski.

Not only does Kopinski expand on the visions of 40K's world, he also has a serious strong suit in his art for mayhem. He captures hordes and legions so well, framing the scale of battles that stretch over continents, planets. You can nearly choke on the dust thrown up by marching feet and grinding treads.

Coming along for third, it's Adrian Smith.

Smith's excellence is how baroque his art is, how fantastically minute. Every cable, every rivet, every spike- and oh, he liked spikes -sticks out and blends in; it makes this fantastic tangle of business. It gives an aura of intricacy- makes sacred armor of the Astartes feel fanatically decorated, ramshackle weapons of the Orks truly crude.

Rounding out the gang is number four, Clint Langley.

Clint's work has an amazing feeling of texture- metals, flesh, fabrics, plumes, it all gets captured with his signature, slightly glistening look. You can feel the soot and grease, the bile, the sweat, metal gleaming polished and smooth or just oozing tetanus.

And- because he deserves it -the honorable mention: David Gallagher.

The fearless chrome and neon before the grim darkness of the far future got quite so grim and dark; he took those somewhat awkward-looking early-draft models and he believed in them. (And if you look at some of his latter work, you'll find he could keep pace with the grimdark look just fine as it came in.)

[trve-grimdark]

Adrian Smith (Cover for Slaves to Darkness novel)

[upstairsdownstairsandinbetween]

Nur Alem, Astana, Kazakhstan,

Nur-Alem is the main symbol of EXPO Nur-Sultan, a giant spherical building with a diameter of 80 meters. On top of the ball are two wind generators that generate power, thereby reducing the energy consumption from the grid.

The structure consists of eight levels, each of which tells about one of the alternative energy sources – “space Energy”, “Solar Energy”, “wind Energy”, “biomass Energy”, “Kinetic energy”, “water Energy”.

On the eighth level is the Museum “Future Nur-Sultan”, and the base of the sphere, with an area of 5000 square meters. the national pavilion occupies a total of 500 meters. It is divided into two zones: acquaintance with Kazakhstan and “Creative energy”.

The Museum of future energy presents projects of scientists of Kazakhstan and startup projects of young specialists in the field of “green” energy sources.

Adrian Smith + Gordon Gill Architecture

Danil Akramov Photography

[artverso]

Adrian Smith - Conan

[fear-planet]

Adrian Smith SF Art 💀

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[witch-breaker]