Jun 8, 2022
Adrienne Martyn Laurie, Sydney 1980, 2022 Pigment on Hahnemuhle Photo Rag 830 x 830mm (framed size) #adriennemartyn #totalcontrol #envy6011 https://www.instagram.com/p/Cejv4tAhdk_/?igshid=NGJjMDIxMWI=
seen from China
seen from Iraq
seen from Russia
seen from Türkiye
seen from T1
seen from Maldives
seen from Netherlands
seen from United States
seen from Netherlands
seen from United States
seen from Malaysia
seen from South Korea
seen from Uruguay
seen from United States
seen from China
seen from Australia
seen from China
seen from China
seen from United States
seen from Germany
Adrienne Martyn Laurie, Sydney 1980, 2022 Pigment on Hahnemuhle Photo Rag 830 x 830mm (framed size) #adriennemartyn #totalcontrol #envy6011 https://www.instagram.com/p/Cejv4tAhdk_/?igshid=NGJjMDIxMWI=
Envy6011 presents Adrienne Martyn: Total Control. Six portraits of men photographed between 1979 – 1988. Please join us for the opening preview: Thursday 2 June, 5.30 - 7.30pm #adriennemartyn #totalcontrol https://www.instagram.com/p/Cd_lKhhvzCA/?igshid=NGJjMDIxMWI=
Adrienne Martyn, Parergon #1, 2018
Pigment ink on Hahnemuhle Photo Rag UltraSmooth
56.5 x 79.9 cm
Photo: Arekahānara
Adrienne Martyn, Interior, 1992
Inkjet on archival paper
29.7cm x 21 cm
Adrienne Martyn, Juanita Ketchel, 1981
Inkjet on archival paper
29.7 x 21 cm
Adrienne Martyn, Joanna Paul, 1981
Inkjet on archival paper
29.7cm x 21 cm
Adrienne Martyn, Sharon Alston, 1986
Inkjet on archival paper
29.7cm x 21 cm
This Joyous, Chaotic Place: He Waiata Tangi–ā–Tahu, 2018
Exhibition view, Mokopōpaki, Auckland
Photo: Arekahānara