*Cilla voice* What's your name and where d'ya come from?
Daniel and Steve used to play in metal bands with names like Sunn0))) and Aethenor, but they got a tired of playing one bone-crushing note for two hours and decided they wanted to be pop stars.
We're not talking Evanescence?
Think more like the brooding synth-pop of Soft Cell, or a darker-hearted Hurts. Big stadium-sized pop melodramas with house beats and synth baselines. Like their genres, they're also not afraid of mixing their metaphors (sample lyric: 'No mortal lips are worthy of this kiss')
Yes. The video for 'Good Love' is a weird 80s-does pre-Raphaelite hi-gloss affair. Singer Daniel cries blood and levitates a shrouded lady, and there's also plenty-o-Brylcreem and billowing chiffon.
Like Channel 5 in the 90s?
I doubt they'd have too much problem with that comparison. For their London single launch they performed on a light-up dancefloor, after all. Very Disco 2000.
Anyway, back to the music.
New single 'Fall Into Night' is the kind of disco heartbreak anti-anthem that everyone wished Rebecca Ferguson had come out with, with a soaring synth-led chorus about walking through fire, a glitchy Miraclestep™ breakdown and lots of pulsating quasar synths to keep everyone on their toes. Vocoders aplenty too.
'Do you belieee-heevee in life after love?'
Just listen to the record already.
'Introducing' feature originally published in Attitude, March 2012.