https://www.africamuseum.be
seen from China
seen from United States

seen from Malaysia

seen from United States
seen from China
seen from United States
seen from United States
seen from Malaysia

seen from United States
seen from China
seen from United States
seen from Spain
seen from United States
seen from United States

seen from United States
seen from China
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seen from Yemen
seen from Canada
seen from Italy
https://www.africamuseum.be
CIONET’s Annual Event: What’s Next 2020
Het is altijd een plezier om de mensen van CIONET weer te zien.
Ze begrijpen mijn manier van werken, geven me absolute vrijheid en vertrouwen blindelings op mijn kunde om een origineel beeldverslag af te leveren.
Waar de verschillende sprekers het over hebben, is me niet altijd duidelijk. Maar het geeft me wel de tijd om alle mogelijke invalshoeken te ontdekken.
How was the museum trip??
okay so introduction: I went to the AfricaMuseum in Tervuren, which was closed between 2013 and 2018 for renovation. In 2013 it romanticized colonisation a lot (I mean, it was a project of Leopold II), a main goal of the renovation was to abolish that. When it opened again in 2018 there was still a lot of criticism: people thought it was still too colonial. I am not in the slightest the best person to judge the new museum because I am not very educated on the subject but I do have some remarks.
I went with a group of friends and we had a guide. When we started, we went downstairs to the cellars and after some explanation, she took us to see a group of statues. They were very obviously racist, stereotypical and imperialist. The guide said that for this reason, they weren’t displayed in the museum. Which took me by surprised because let’s be real, they were displayed in the museum. The explanatory sign was rather short and I wouldn’t say it was enough for context. Which brings me to my next criticism: there were a lot of great general signs, but those for individual objects or groups of objects were rather short. The descriptions of objects also mentioned the ethnic groups that created the objects, but apart from that nothing was explained about them. They weren’t shown on a map, there was barely any mention of how they differ or resemble. What I did like is that the museum doesn’t only focus on history, but also on geology or biology. It’s also become very interactive: screens with more pictures, videos... I also liked the diversity of the displayed objects.
Last remark: a lot of the objects that are in the possession of the museum were stolen and should obviously be given back. Discussions are going on within the museums on this subject apparently, but it is in se not difficult. Theft is a punishable crime and we know those responsible weren’t and will never be punished. The least we can do is give back what isn’t ours.
I would love to hear other opinions on the museum! I’ll reblog this post in a minute with some bad quality pictures I took (mainly from the history part)
Everything passes except the past! #museum #africa #africamuseum @africamuseumbe #tervuren #congo (bij AfricaMuseum EN) https://www.instagram.com/p/BrK4G5zgvvV/?utm_source=ig_tumblr_share&igshid=2xkexdtsnmgh
Info : BOZAR - Contes africains - Afrikaanse verhalen 15/2/2015 - www.belafrikamedia.be / BAMTV
AfricaMuseum@BOZAR
Contes africains – Afrikaanse verhalen
15/2/2015
Pour le plaisir des petits et des grands, Apollinaire et Kristien,
ont rassemblé les histoires d’Afrique qu’ils préfèrent…
Tot grote vreugde van klein én groot verzamelden Apollinaire en Kristien
hun favoriete Afrikaanse verhalen…
AfricaMuseum@BOZAR
Contes africains – Afrikaanse verhalen
15/2/2015
Infos pratiques
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BOZAR- STUDIO CONGO : Concerts Dimanche 12/10 et 14/12/2014 AfricaMuseum - www.belafrikamedia.be / WEBTV
BOZAR- STUDIO CONGO : Concerts Dimanche 12/10 et 14/12/2014 AfricaMuseum – www.belafrikamedia.be / WEBTV
Concerts Dimanche 12/10 et 14/12/2014 AfricaMuseum:
Né d’une rencontre musicale fortuite, le groupe est composé de trois musiciens :
Lezin Mpoutou (Chant, Likembé), Hervé Badiel (Tama, Calebasse) et Olivier Stroobant (Chant, Kamalengoni).
Ce groupe revisite des mélodies traditionnelles du Mali, du Burkina Faso et du Congo-Brazzaville. Un moment intimiste où se mêlent fête et mélancolie.
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