Field Trip Friday: Step Afrika!
Submitted by Cindy Nguyen, Development and Communications Intern
July 17, 2018
-Greg McGruder, National Geographic Society, Storybank 8/17/15
It’s Field Trip Friday! Through AHFES, 150 middle school students from D.C. schools attended Step Afrika!’s performance of “The Migration” at Hartke Theater. Let’s learn more about the show!
Step Afrika! is the first professional dance company which has embraced the tradition of stepping, a form of dance in which the body is the instrument. Through a combination of clapping, stepping, and spoken word, it can be characterized by its strong sense of synchronization, rhythm, and marching beat. This song and dance ritual has its roots in African foot dances, but became a common practice in the early 20th century through African American fraternities and sororities. Stepping has since become a highly regarded art form. Between June 8 - June 17, Step Afrika! brought their season to a close in Washington, DC with 9 performances of The Migration at Hartke Theater.
Projected on the screens are pictures of Jacob Lawrence
Jacob Lawrence (1917-2000) was an American painter and educator, and known for his portrayal of African-African life and historical narratives. The “Migration Series”, which served as a visual backdrop for Step Afrika’s performance, consists of 60 sequential paintings on cardboard. In this series, Lawrence depicts the mass movement of African Americans from the rural South to the urban North between World War I and World War II. In the permanent exhibition of the series, text also accompanies the panels and gives historical context to Lawrence’s visual depictions. His work can be characterized by his use of vivid color themes and dynamic shapes. You can find the odd-numbered paintings of series right here in D.C. in the permanent collection of The Phillips Collection - the even-numbered paintings are with the MoMA in New York.
Panel No.3 (Source: MoMA)
Students waiting for the performance to begin
A performance with “lightning-fast claps, intricate footwork, percussive chants, and perfect synchronicity”, Step Afrika! brought Lawrence’s paintings to life in an energetic and electrifying interpretation - the dancers seemed to never stop moving. Students cheered for every solo performance, clapped along with the dancers, and drummed along when the onstage drummer called for it. The most exciting part was how the performers encouraged participation from the audience, often signaling cues to clap to the beat. The entire visual of the show tied nicely together, with the performers’ costumes often matching the transitioning paintings projected in the backdrop.
Projected on the screens are parts of Panel No. 3
As an intern who got to attend this field trip along with the middle school students, I was so glad to be representing the DC Collaborative which helped get them here to experience this amazing show. When combined with the upbeat stepping and chanting, I felt that the performers were doing something so powerful that really resonated and connected with their audience - that the migration of African Americans in the 20th century is an important part of history that these students should not only read about from textbooks, but also see, hear, and feel. The synthesis of both Jacob Lawrence’s paintings and Step Afrika!’s performance communicated the history in a way that was not only breathtaking, but did so in a way that did not need words.
Panel No. 1 (Source: The Phillips Collection)
Did you get to attend Step Afrika’s performance of The Migration? Tell us by sharing on Facebook, Instagram, or Twitter, and remember to tag us @dccollaborative!
Why the live arts matter: Ben Cameron (TED Talk)
Step Afrika! dance inspired by The Phillips’ Collection’s ‘Migration Series (The Washington Post)
A Living, Breathing, Stepping ‘Exhibition’ of Jacob Lawrence (NY Times)
The Migration Series (The Phillips Collection)
The Migration: Reflections on Jacob Lawrence (Step Afrika!)