Sep 9, 2024
Alison Wilding (British, 1948), Phaethon, 2016. Screenprint on Somerset Velvet 300gsm, 75.5 x 99.5 cm. Edition of 30
seen from United States
seen from China
seen from India
seen from China
seen from Brazil
seen from Brazil
seen from China
seen from China
seen from United States
seen from United States
seen from Japan
seen from China
seen from United States
seen from United States
seen from United States
seen from China
seen from United States
seen from United States
seen from United States
seen from United States
Alison Wilding (British, 1948), Phaethon, 2016. Screenprint on Somerset Velvet 300gsm, 75.5 x 99.5 cm. Edition of 30
alison wilding in a sculpture reader: contemporary sculpture since 1980 - glenn harper + twylene moyer (2006)
Alison Wilding
Zig Zag Drawing #4, 2019
Collage and ink on Japanese paper
39 x 56 cm | 11 /18 x 22 in
Phyllida Barlow, Rachel Whiteread, Alison Wilding
Alison Wilding, Bedrocked (2013). Alabaster, cast silicone rubber, acrylic and sand. 68 x 57 x 54 cm. 26 3/4 x 22 7/16 x 21 1/4 inches. Courtesy Karsten Schubert.
Alison Wilding
In a Dark Wood 2012
Reclaimed laminated iroko, acrylic
210 × 370 × 217 cm
Alison Wilding
TERRESTRIAL, 2003
PVC and acrylic (2 objects variable installation)
26 5/8 x 118 ½ inches
67.6 x 300.8 cm
AW10643
Sculptor Alison Wilding: ‘Some of my works are very huggable. But I don’t want anyone else to touch them’
She’s one of the UK’s most revered sculptors. Yet Wilding is often overlooked. She talks about making art out of dead frogs, her feminist aw