Scenes at types. Moorish women taking a walk.
“These veiled women are not only an embarrassing enigma to the photographer but an outright attack upon him. It must be believed that the feminine gaze that filters through the veil is a gaze of a particular kind: concentrated by the tiny orifice for the eye, this womanly gaze is a little like the eye of the camera, like the photographic lens that takes aim at everything.
The photographer makes no mistake about it: he knows this gaze well; it resembles his own when it is extended by the dark chamber of the viewfinder. Thrust in the presence of a veiled woman, the photographer feels photographed; having himself become an object-to-be-seen, he looses initiative: he is dispossessed of his own gaze.
This varied experience of frustration is turned by the photographer into the sign of his own negation. Algerian society, particularly the feminine world within it, threatens him in his being and prevents him from accomplishing himself as gazing gaze.”
- Malek Alloula, The Colonial Harem.