Postcards that came with Pure Evil, Pure Innocence by Maggie Dunlap
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Postcards that came with Pure Evil, Pure Innocence by Maggie Dunlap
# 2,868
Consumer Electronics “The Weight” b/w “Hostility Blues” (2018)
Consumer Electronics’ sound structure has taken a strange turn since 2009’s Crowd Pleaser. Long gone are Philip Best’s days of child-prodigy noise delivered through 1982’s Leathersex cassette and Public Attack 3 which left the Nailsea school’s students and faculty baffled beyond simple amazement. You then hone your craft through Whitehouse and Ramleh, resurrect your solo project, marry your art-school sweetheart, let Russell Haswell define your craft again, and move to Austin to experience different results. Hell, you even start your own publishing volume in Amphetamine Sulfate. Safe to say that after almost four decades removed, any artist would have more than enough time, events, and resources to evolve. The techniques from 2015’s Dollhouse Songs carry on over to this stand-alone single, which many fans wondered about for almost a year after its announcement of new sounds. “The Weight” has had Haswell’s abstract hands in it, creating disjointed minimal dance beats for Sarah’s harpie shouts, whose lyrics are from Philip’s book Captagon. “Take a load off Horseshoe Harriet / take a load off Buckskin Girl / … take the load and put the load on me” are his written experiences visiting La Honda, California featured on that back cover, becoming its own glory as lyrics to side A. “Hostility Blues” is what you paid for and what you’ll absolutely get in spades. “I’m that once a month bleeding bitch” snarls Sarah, ready to stake her claim and tear the heart and lungs out of anyone unlucky to stand in her way for any or no reason at all. Slight hollow metallic tearing turns to heavy mercurial rain and a thin drone of noise aerates toxic years-old dust that’s unhealthy and atrocious. You could swear she’s on a psychotic tell-all equivalent to an out-of-control raging alcoholic needing to spill her life story or on a very bad turn on angeldust. Your choice.
According to Harbinger Sounds, this year’s upcoming Airless Space is their political statement for the 50 states as 2011’s Estuary English was for Britain. Place your bets that the stand-alone is not too far behind.
Next up.
If the drugs don't work then you probably need more.
by Max Restaino
Some very talented writers that I know (as well as some very talented writers that I don't know) are published by Amphetamine Sulphate, an independent publisher in Austin, Texas. The publisher's twitter account has been suspended without warning and without (to date) a reason being given. Here's the link to the publisher's website: https://amphetaminesulphate.bigcartel.com/
and here's the link to the publisher's Instagram profile: https://www.instagram.com/amphetaminesulphate/
and here's the link to the publisher's facebook profile: https://www.facebook.com/publishingtexas/
and here's the link to Amphetamine Sulphate's 'alternative' twitter account: https://twitter.com/colourclimax
My Pop Life #164 : Blitzkrieg Bop - The Ramones
My Pop Life #164 : Blitzkrieg Bop – The Ramones
Blitzkrieg Bop – The Ramones Hey ho, let’s go Shoot’em in the back now What they want, I don’t know They’re all revved up and ready to go December 31st 1977. My brother Paul and I, punked up on speed, chains, eyeliner and nail varnish are buzzing around outside The Rainbow in Finsbury Park, a large seated venue which is going punk rock for the night. Our seats are central, about 12 rows…
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Blue cheese contains natural amphetamines. Why are students not informed about this?
Mark E. Smith