F*ck Trevor.
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F*ck Trevor.
DSC_0521 Anarchive Spatial Structures by Russell Moreton Via Flickr: russellmoreton.blogspot.com An anarchive is a creative process and philosophy that resists traditional, static archiving. Instead of just storing past traces, it acts as a "feed-forward mechanism" that uses archival material to continuously spark new art, sensations, and becoming. Key Concepts Process over Product: Traditional archives preserve inert documents. The anarchive treats these traces as carriers of potential, constantly mutating into new creative iterations. Reactivation: Traces from the past are used as springboards to inspire new thought and ongoing variation, rather than settling on historical truth. Excess Energy: The anarchive is considered the "surplus value" of the archive—it lives in the movements going into and coming out of storage.
Clay+Ceramic+Anarchive : Minor Gestures~Interstitial space of emergent expression by Russell Moreton Via Flickr: russellmoreton.wordpress.com An anarchive is a dynamic, process-oriented, and "feed-forward" alternative to the static archive, acting as a, "repertory of traces" that generates new creative possibilities rather than just documenting the past. Developed by thinkers like Brian Massumi and Erin Manning, it focuses on potential, transformation, and ongoing variation. These are ceramic artworks from the "Gildengate" series by artist Russell Moreton. The works are processual, developed by folding material into spatial forms and volumes. They are made from clay and other materials, including paper, glue, yarn, tobacco, and acrylics. The artist investigates the interconnectedness of making interior spaces. The objects were speculatively made in response to investigative spatial practices.
𝔓ℜ𝔈𝔖𝔈ℜ𝔙𝔄ℜ ℭℜ𝔈𝔄𝔑𝔇𝔒, 𝔑𝔒 𝔉ℑ𝔍𝔄𝔑𝔇𝔒
𝔖𝔗𝔒ℜℑ𝔈𝔖 𝔄ℜ𝔈 𝔊ℜ𝔒𝔚 𝔏ℑ𝔉𝔈
𝕸𝖄 𝕻𝕬𝕾𝕿 𝕴𝕹 𝕯𝕽𝕰𝕬𝕸𝕾 𝕾𝕻𝕰𝕬𝕶𝕾 𝕴𝕹 𝕱𝖀𝕿𝖀𝕽𝕰
Department of Biological Flow Tick (Experiments in Time) 2015 performance sketches, installations and video Kingston, ON 37:51 - - - 1. Retainer (Subtle Passages) 2. All The Things I Wanted To Say To You But Never Did 3. eXistenZial
What would a history look like… that took the death in Mendieta's work seriously? What kind of history is it that does not save?… Mendieta's art perplexes historiography… it asks history to let go of the past… this work shows extraordinarily clearly the disappearance that we must learn to celebrate… [to] preserve the past through repetition rather than storage… [and create] a history that performs.
Jane Blocker, Where is Ana Mendieta? Identity, Performativity and Exile (133-34)