❇ André Werner 🇧🇷
23.11.25
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❇ André Werner 🇧🇷
23.11.25
You are cordially invited to join us "Zeig Dich!", Zwingli-Church, Berlin, 25 – 27 May 2017 We are pleased to announce that works by Directors Lounge Lizards André Werner and Joachim Seinfeld will be shown among selected media art, installations and performances by Thomas Bratzke, Stefan Demming & Michael Rieken, Roswitha von den Driesch & Jens-Uwe Dyffort, Jorn Ebner, Monika Jarecka, Karl Heinz Jeron and Ulrich Vogl.
Curator: Karin Scheel. Vernissage: ZEIG DICH! 25 May 2017, 7 p.m. Zwingli-Kirche, Rudolfstr. 14, 10245 Berlin (4 min from S/U-Bhf Warschauer Straße) event on facebook photo: Zeig Dich - Kultur zum Kirchentag
Honey Objects | André Werner
www.artyesno.com
Is that a man. He walks through years like a cat burglar creeps on rooftops, leaving nothing to hang him on a nail for, just a wry smile in the dark and a milestone with clock-like regularity. He tips his hat and we tip ours...
Happy Birthday André from all of Directors Lounge!
André Werner, untitled, phototransfer/collage, 16,1 x 11 cm | 6,3″ x 4,3″ (as cibachrome, 200 x 146 cm | 79″ x 57″ ) 1990
www.artyesno.com
André Werner, Untitled, phototransfer/collage, 11 x 16,1 cm (as cibachrome, 200 x 136 cm) 1992
www.artyesno.com
Jan Švankmajer, Horned Bird, Artinbox gallery, Art Prague 2016. photo: artyesno for the art resort.
Art Prague, the 15th International Contemporary Art Fair at Kafka‘s House.
The 15th edition of the Art Prague is located in the very heart of Prague, in the birth house of Franz Kafka. The art fair spreads over 4 floors, filling the complete building with works by around 250 international and Czech artists. Most exhibitors focus on the classic fine arts, paintings, drawings and sculptures, juxtaposed with performances and video installations in the accompanying projects and daily specials curated by Robert Carrithers. Till Sunday, March 20th, you can encounter an overdose of contemporary art from well-known names like Jan Švankmajer, Jiří Kolář and Miroslav Tichy to fresh faces like Sabrina Milazzo who shows her hyperrealistic oil paintings in the rooms of Italian newcomer Chiono Reisova Art Gallery. Again the Art Prague, directed by Iva Nesvadbova, positions itself among the relevant European art fairs.
André Werner, Viennese Catherine Window, interactive closed-circuit installation, Projekt Spirits, Mystics, Muses. photo: artyesno for the art resort.
James Franklin Snodgrass, woodblock print, Projekt Spirits, Mystics, Muses. photo: artyesno for the art resort.
Shalom Neuman, Mini Amerika, Projekt Spirits, Mystics, Muses. photo: artyesno for the art resort.
Jiří Kolář, Diolen man, Lithography, Artinbox gallery. photo: artyesno for the art resort.
Julia Murakami, Allegory of Obliviousness, Projekt Spirits, Mystics, Muses. photo: artyesno for the art resort.
Miroslav Tichy, Galerie Caesar. photo: artyesno for the art resort.
Damir Muratov, Amazons, acrylic on cardboard, Galerie Zahradník. photo: artyesno for the art resort.
Sabrina Milazzo, Paperino, oil on canvas, at Chiono Reisova Art Gallery, Turin. photo: artyesno for the art resort.
Robert Carrithers, silk-screen-print, Projekt Spirits, Mystics, Muses. photo: artyesno for the art resort.
The perfect follow-up of a day at the Art Prague is to dive into the Experimental Space NoD | Roxy, a venue that consists of three key dramaturgy lines – theatrical Teatro NoD, artistic Gallery NoD and Events NoD, while being club, cafe and concert space at the same time.
Pavel Korbička: Event of Space at Experimental Space NoD
The full dose compressed into one space not far away from the Art Prague at Dlouhá 33 110 00, Praha 1 .
Art Prague
Kafka´s House Prague 1 náměstí Franze Kafky 3
Snippets from the Art Prague | the art resort
Where are we going to? Videoart on the City phenomenon.
Video, discussion, reading, workshop, music and more on different forms and times of social presence and future in the City.
The project is a collaboration with Directors Lounge Berlin
Although the first part of the title that is borrowed by Gauguin and shimmers between pathos and esoteric for today's eyes, ironically treats the idea to be able to give real answers to this question, but we believe that we can counterpoint it with Willy Brandt: The best way to predict the future is to shape it.
Especially in Dresden within the urban population trenches of incomprehension have been breaking open again about essential future issues. These preclude a bitter required lived and wider civically culture of discourse. Other areas of development, such as imagined future technical or scientific innovations, will not directly be subject of the project, but surely in their intended impacts on the life and work of urban society.