Feb 4, 2019
@wolfka.136 @mikasstockholm backstage @scandinavian.man Urban Outdoor #andreaswolf https://www.instagram.com/p/BtdvYoLh1C5/?utm_source=ig_tumblr_share&igshid=wm2xoukjjs4
seen from China
seen from China
seen from United States
seen from Brazil
seen from United States
seen from United States
seen from China
seen from Colombia
seen from Mexico
seen from China
seen from China
seen from Georgia
seen from United States
seen from Türkiye
seen from United Kingdom
seen from United States
seen from United States
seen from Ireland
seen from United States
seen from Australia
@wolfka.136 @mikasstockholm backstage @scandinavian.man Urban Outdoor #andreaswolf https://www.instagram.com/p/BtdvYoLh1C5/?utm_source=ig_tumblr_share&igshid=wm2xoukjjs4
untitled, Andreas Wolf
non representational painting showing the process of its own creation, exhibited in Finnish Art Space Toolbox, Berlin 2015,
https://www.saatchiart.com/art/Painting-untitled/392479/2571656/view
o.T. (without title), Andreas Wolf
The object of my non-representational work is developing complexly structured pictorial spaces. Every painting starts from a blank canvas; there is no preconceived idea, concept or strategy and there are no titles for the finished paintings. The starting point is the first colour patch, point or line, to which I then react with corresponding or contrasting patches, lines or points. In painting I try to find that moment, in which openness and the definitive are balanced. Each and every single element of the picture should interact with all of the others. I try to set focal points or emphases, but these should never overpower the equilibrium of ambiguity. The painting is finished, if and when it resists an immediate comprehension, but offers at least one or a few different ways of perception or interpretation. For me it is interesting to note how I myself react to the picture’s visual structures; somehow on a physical level, like intuition, and it’s interesting to notice how paintings sometimes ‘work’ and sometimes don’t. The finished picture is a kind of chronicle of its own creation – an ongoing process which continues in the next painting, with the experience gained during development of the previous one. The pictorial elements do not depict anything specific but instead represent the concept of process. The overreaching idea of my paintings is the question: how human beings perceive abstract images and how orientation in complex pictorial structures functions.
https://www.saatchiart.com/art/Painting-o-T-without-title/392479/2151337/view
triptych (untitled), Andreas Wolf
Triptych, painted July-October 2014 in Berlin. Tried to explore where one painting ends and another painting is begins. A visual game – is there one picture or three? Three pieces, each is 100 w x 90 h
https://www.saatchiart.com/art/Painting-triptych-untitled/392479/2554792/view
untitled, Andreas Wolf
abstract painting
https://www.saatchiart.com/art/Painting-untitled/392479/2294251/view
without title, Andreas Wolf
The object of my non-representational work is developing complexly structured pictorial spaces. Every painting starts from a blank canvas; there is no preconceived idea, concept or strategy and there are no titles for the finished paintings. The starting point is the first colour patch, point or line, to which I then react with corresponding or contrasting patches, lines or points. In painting I try to find that moment, in which openness and the definitive are balanced. Each and every single element of the picture should interact with all of the others. I try to set focal points or emphases, but these should never overpower the equilibrium of ambiguity. The painting is finished, if and when it resists an immediate comprehension, but offers at least one or a few different ways of perception or interpretation. For me it is interesting to note how I myself react to the picture’s visual structures; somehow on a physical level, like intuition, and it’s interesting to notice how paintings sometimes ‘work’ and sometimes don’t. The finished picture is a kind of chronicle of its own creation – an ongoing process which continues in the next painting, with the experience gained during development of the previous one. The pictorial elements do not depict anything specific but instead represent the concept of process. The overreaching idea of my paintings is the question: how human beings perceive abstract images and how orientation in complex pictorial structures functions.
https://www.saatchiart.com/art/Painting-without-title/392479/1682887/view
untitled, Andreas Wolf
In 2018 Andreas Wolf began a series of works in which he transfers the pictorial language of his oil painting to watercolors. In contrast to his large-format paintings, the watercolors are derived from drawings. The surfaces are painted and do not mean over painted. As a result, the pictures appear more like designed architectures of an abstract world. These works also have no titles. As a result, the watercolors remain more open to viewers in their own ideas and ideas to develop the images. The painting is including a wooden frame with acrylic glass. Shipped in an own crate.
https://www.saatchiart.com/art/Painting-untitled/392479/4381289/view
without title, Andreas Wolf
abstract painting, acryl
https://www.saatchiart.com/art/Painting-without-title/392479/1682893/view