These books are set on the ragged edge where genre conventions meet reality—a reality in which people are flawed and contradictory, justice isn’t always done, truth is a complicated thing, and the search for answers doesn’t always have a happy ending.
a deeply unsettling study of a psychopath, where the villain is obvious almost from the start and the most serious crime is basically wasting police time; Dennis Lehane’s Mystic River . where the guilty go free and the innocent pay for others’ crimes. These books are set on the ragged edge where genre conventions meet reality—a reality in which people are flawed and contradictory, justice isn’t always done, truth is a complicated thing, and the search for answers doesn’t always have a happy ending. They’re not as comforting as the tidier, more unequivocal books in which good triumphs and evil is punished, but they’re the ones that capture me, the ones that stay in my mind. When I was writing In the Woods . I wasn’t trying to be iconoclastic; I’m nowhere near that organized. I was just trying to write the kind of book I like to read.
I am now a Keynesian in economics.
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HH: Page 147, you write, “His manner, confident and effortlessly knowledgeable, was inspiring.