#arnold reyes

[vintagewarhol]

[film-book]

PAALAM, SALAMAT (2025) Movie Trailer: Rinoa Halili & Ghion Espinosa star in a Unlikely Love Affair

https://film-book.com/paalam-salamat-2025-trailer-rinoa-halili-vivamax/?fsp_sid=94621

[themovieworldaccordingtotps]

TPS’S 25 ADDITIONAL FAVORITE MOVIES OF ALL TIME (2021 Edition)

15.) Birdshot Director: Mikhail Red Cast: Arnold Reyes, Mary Joy Apostol, John Arcilla, Ku Aquino, Argo, Dido de la Paz, Elora Españo, Ronnie Quizon, Rolando Inocencio, Suzette Ranillo Best Moment: The ending shootout

[myreelthoughts-ph]

MOVIE REVIEW: 'Birdshot' (2017)

MOVIE REVIEW: ‘Birdshot’ (2017)

It’s official, TBA Studios is now my most favorite film outfit in the Philippines. From 2015’s breakout historical epic, Heneral Luna, to this year’s I’m Drunk I Love You and Bliss, TBA has proven that in filmmaking, quality content is always the king. Will it be the his is my review of their latest release, Mikhail Red’s ‘Birdshot’. We got the chance to see this film before the nationwide…

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[pinoyparazzi]

Arnold Reyes, masaya sa kanyang most daring na pelikula

Continue Reading... http://goo.gl/9Fdfyw

[pinoyparazzi]

Michelle Madrigal, bigay na bigay sa love scene

Michele Madrigal was bigay na bigay sa kanyang love scene with Arnold Reyes in Bacao. “I haven’t seen the whole film pero hindi naman nakita ‘yung… hindi naman siya full frontal. Actually, puro side lang,” chika ni Michelle sa presscon ng movie. She was nervous doing the love scenes, siyempre, f...

Continue Reading... http://goo.gl/XkNxh4

[thescreenreader]

Kasal / "The Commitment" (2014)

A Day in the Life of Two Lovers (That's All That Matters)

Director: Joselito Altarejos Writers: Joselito Altarejos, Zig Madamba Dulay Stars: Arnold Reyes, Oliver Aquino, Rita Avila

For the past couple of years that I've been attending Cinemalaya, I've usually steered clear of Director's Showcase entries. The primary reasons for this are: money doesn't grow on trees, time is gold, and I'd really rather see what brilliant new filmmakers have to offer. Another thing, some veteran directors who join the festival have their roots deep into mainstream cinema, and it so happens that bad (mainstream) habits die hard.

But this year, a refreshing film took the spotlight. Joselito Altarejos' "Kasal" won Best Film, beating even the most sought-after entry "Hustisya." Of course, stories about same-sex relationships have graced the indie silver screen for years -- of which I haven't seen many. But of those I've seen (local or foreign), "Kasal" is probably the most realistic and relatable representation of same-sex relationships. The characters and their chemistry are so genuine that you know the film isn't just talking about gender. It's truly, simply about two people in love, struggling with the universal difficulties of love.

"Kasal" gives its audience a rare, intimate view into the everyday life of a same sex couple -- complete with the mundanity, the sizzlingly detailed sex, and the emotional nuances that pretty much every other romantic relationship has. It doesn't just linger on the challenge of being homosexual in a conservative society but also delves deeper into the struggles within the relationship. Instead of highlighting the difficulties unique to same-sex relationships, the film focuses on what makes them just like others. 

An interesting point about "Kasal," especially as a Director's Showcase entry, is that it oozes with everything indie. In a category reserved for well-known directors with mainstream techniques, "Kasal" stands out as a truly independent film, treatment-wise. It looks like a relatively small production. Many of the scenes seem to be shot in convenient locations, primarily indoors. Tight cinematography take us right into the comfort zones of the characters, showing us how they are at home, at work, with friends, and with family. And with the exhaustive, continuous, and uncut sex scene that runs for probably at least 5 minutes, "Kasal" is as intimate as it gets.

Of all the film's honesty, what truly stands out are the two parallel scenes shot from behind a window: the opening scene taken from the condominium balcony, and the scene with the lovers engaged in a heartbreaking fight on an empty street, as seen - but not heard - from inside the car. These two scenes noticeably put a distance between the characters and the camera. Somehow, the audience is suddenly cast aside to the role of an outsider. But at the same time, from this distance, we are able to see the gap between the two lovers, no matter how entwined together they are. It's no longer the actors' faces that speak to us, but the space of uncertainty surrounding them, and which threatens to drive a wedge between the two souls painfully clinging to each other. 

In a genre that represents a group largely treated as a minority, "Kasal" is incredibly inclusive. It portrays the problems that lack of communication can cause in relationships -- homosexual or otherwise -- and even touches on familial conflicts. The natural acting -- Arnold Reyes and Oliver Aquino delivered some of the most convincing performances I've seen in recent years -- and the ordinariness of the scenarios make the film easy to relate to. The conversations also seem spontaneous. As in real life, it's in the slight changes in tone and the sudden moments of silence that we see how easily we tend to sweep things under the rug, and at the same time, how hard it is for us to actually forget.

[delfindakila]

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PAANO NA? Nilikha at itinitik ni Arnold Reyes Inawit ni Bituin Escalante Won the 2nd Prize of 2000 Metropop Song Festival

Una mo akong nakilala bago siya Nguni't bakit di mo na ako nakikita? Noon, parang ako lamang ang iyong mundo Nang siya ay dumating lahat ay nagbago

Koro: Nguni't paano, paano ito Masakit sa 'kin isipin, masakit damdamin Kaibigan ko siya, at mahal kita Nguni't mahal mo siya, wala akong magagawa, paano na...

Bakit ba hindi nasabi sa iyo ang nadarama ko bago naging kayo? Sa tuwing magkakasama tayong tatlo Kitang kita ko'ng higpit ng hawak mo sa kanya Ang mata'y pinilit kong ilayo sa inyong dalawa Habang nagdurugo ang aking puso

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Tulay: Ano ang gagawin ng puso kong ito? Na walang ibang alam gawin kundi ang umibig sa'yo

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