Feb 6
VDayCharAL
Reblogging is very much appreciated! Thank you so much!
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VDayCharAL
Reblogging is very much appreciated! Thank you so much!
'The World of Illographics' D3.
Original hand-drawn artwork
Black ink on paper
Size: A4
Signed and dated 26.1.26
Available on auction
https://ebay.us/m/pLtpaZ
Ends Monday 2nd February 2026
This original drawing is part of Character Collection — The World of illographics. An ongoing series of black-and-white character drawings.
[OPEN] WOLF // DESIGNS
>> buy them here: https://ko-fi.com/somnoire/shop << STILL not feeling super well, so just automating uploads and working on owed. i will respond soonm but cannot give a definitive when -- made with love, somnoire
Posted using PostyBirb
AI-DA's "A.I. God Painting Sells for $1 Million at Auction"
NEW YORK (USA) – TekGinger.com – A humanoid robot named AI-DA has made history by selling an artwork for a staggering $1 million. The artwork, a 7.5-foot portrait of the renowned English mathematician Alan Turing, titled “A.I. God,” In a event at Sotheby’s Digital Art Sale in New York. What is AI-DA? It is created by a group of artists, engineers, and scientists and is a humanoid robot with…
🤍 Adopt Auction – Cat Girl Looking for a Home! 🐱
She patiently waited during preclaim time, but now she’s ready to find her forever home through auction! 🤍🐾
🌟 AB includes fullbody design!
━━━━━━━━━━━━━━━━━━━━━━━ I can do holds for: – 1 week (for SB) – 2 weeks (for AB)
✨ I also accept p@yment plans! 💳 P@yPal automatically converts US D to E UR – no need for an E UR wallet!
━━━━━━━━━━━━━━━━━━━━━━━ Ends in: 24 hours after first bid 📩 Bids in comments or DM!
💬 Any questions are welcome!
Interesting Facts #10
Why would Kazimir Malevich shift away from Suprematism after the 1920’s?
Kazimir Malevich On the Boulevard, canvas, oil. 60.5 x 78, 1929 – 1930 Kazimir Malevich’s evolving relationship with Suprematism in the post-1920s era was influenced by a variety of factors, reflecting a complex interplay of political, personal, and philosophical dynamics.
Politically, the ascent of Joseph Stalin’s regime in Soviet Russia marked a significant shift in cultural policies, favoring Socialist Realism as the sanctioned artistic style. Suprematism’s abstract, non-representational approach clashed with the regime’s preference for art that served propagandistic purposes and depicted idealized Soviet themes. Consequently, Malevich encountered mounting challenges in showcasing and disseminating his Suprematist works within the state-controlled artistic milieu.
However, Malevich’s relationship with Suprematism was not solely defined by external pressures. Internally, he experienced a gradual evolution of his artistic vision and philosophical outlook. While Suprematism had been groundbreaking in its time, Malevich may have felt constrained by its formal constraints and sought new avenues for creative expression. His later works reflected a deeper engagement with spiritual and metaphysical themes, indicating a transition towards a more introspective and contemplative artistic practice.
Moreover, practical considerations likely influenced Malevich’s approach. With Suprematism marginalized within the Soviet art world, Malevich may have pragmatically adapted his artistic output to align with prevailing trends and market demands, ensuring his continued relevance as an artist.
“On the Boulevard” by Kazimir Malevich from the late 1920s to early 1930s, places it squarely within the period when Malevich was shifting away from Suprematism. This painting further exemplifies his departure from the movement.
In “On the Boulevard,” Malevich continues to depart from the strict geometric abstraction of Suprematism, instead incorporating elements of the urban landscape in a more recognizable manner. The use of color and form in this painting suggests a transition towards a more varied and representational style.
By depicting scenes from everyday life, such as people walking along a boulevard, Malevich moves away from the purely abstract concerns of Suprematism and towards a more figurative and narrative-driven approach. This departure from his earlier style reflects his evolving artistic interests and his willingness to explore new avenues of expression.
Overall, “On the Boulevard” serves as another example of Malevich’s shift away from Suprematism during the late 1920s and early 1930s, as he embraced a more diverse and representational approach to painting.
CAKE is super excited to announce our first fundraising event since 2019! Save the date: May 25th, 2024. This fundraiser will have everything! We’ll be auctioning off art from all of your favorite indie cartoonists, we’ll be raffling off tons of comic and art goodies, there will be live comic readings and beer! Hosted by Beth Hetland and Kyle O’Connell. This will be an event you won’t want to miss! Admission is free!
Revolution Brewing Kedzie Taproom
3340 N Kedzie
Chicago, IL 60618
Saturday, May 25th, 2024 7pm-10pm
Stay tuned for our readers' announcement next week!
Super rad poster artwork by Jose Garibaldi! @cluepac