*IMPORTANT UPDATE FROM THE COMPOSER
Hey everyone! :D Thanks for collecting all the facade building data. I spent most of last night analyzing it, which ended up being worth the lack of sleep in the end, because I actually found an entrance to the building. It still doesn’t appear as one coherent building from the outside, but I found a way in and spent most of the day walking through it. It has two or three other entrances that correspond to the locations of some of the data points yesterday. So basically, even though it’s still physically impossible externally, the building is a real place. You can enter it and it’s internally consistent.
...and one of the hallways I found corresponds to one of my logs from the armchair. Which frustratingly, as you know is hard to prove. But if anyone could check out the armchair again and write down a detailed description of the hallway it would help me out a lot.
The hallway is kind of short, with two doors on either side--it’s a vestibule thing between two different sections of the building. It’s pretty hot in there, and the walls are white. Dark blue floors, with oddly fancy purple carpets. Railings on the sides. Do any of your memories look like this? I’ll check tomorrow and report back.
All this leads me to a conclusion that I think is pretty significant. The artifacts seem to be...settling, if that’s the right word. Like they’re finding a home. Before I mentioned how there seemed to be a gap in the artifacts, like it was unclear what was causing them. But this resonance between the Facade Building and the Armchair, plus how I’m feeling about my artifact, is making me think that maybe what the Compiler’s created is actually...good for the artifacts. It seems that, for some reason, her making us afraid and concerned about artifacts is actually somehow the thing that allowed the artifacts to make sense. Like they’re a product of this very environment somehow, this new environment that’s just been created.
This is a pretty heavy idea, I know. What do you all think about this?
Please stay safe,
The Composer