-Sylvia Plath, from a letter to Aurelia Plath written c. August 1951
seen from Japan
seen from Japan

seen from United States

seen from United States
seen from China

seen from Maldives

seen from United States
seen from Malaysia

seen from United States
seen from United States

seen from United States
seen from Sweden

seen from Brazil

seen from Malaysia
seen from Germany
seen from United States

seen from United States
seen from United States
seen from United States

seen from Brazil
-Sylvia Plath, from a letter to Aurelia Plath written c. August 1951
Robert Capa, Nun and Swimmers on the Beach Biarritz, France, August 1951
US Vogue August 15, 1951
Sunny Harnett in an evening dress, Red; white; naked; bouffant in silk taffeta and nylon tulle. By Ceil Chapman. Ingber velvet pouch. Yardley "Pretty Pink" Lipstick.
Sunny Harnett dans une robe du soir, Rouge ; blanc; nu; bouffante en taffetas de soie et tulle de nylon. Par Ceil Chapman. Pochette en velours d'Ingber. Rouge à lèvres Yardley "Pretty Pink".
Photo Richard Rutledge vogue archive
WINK Magazine — August, 1951, №1 vol. 7
Cover: Peter Driben
US Vogue AUgust 15, 1951
Model in Anne Fogarty's red dance dress in Merrimack velvet. Velvet scarf, Vera. Ledo earrings. Brown satin dance shoes, by Capezio.
Modèle en robe de danse rouge d'Anne Fogarty en velours Merrimack. Écharpe en velours, Vera. Boucles d'oreilles Lédo. Escarpins de danse en satin marron, par Capezio.
Photo Richard Rutledge vogue archive
US Vogue August 15, 1951
Nan Rees wears a brown tweed suit by Vera Maxwell, in Somersville wool. John Frederics Charmer hat. Makeup: "Lucky Penny", by Harriet Hubbard Ayer.
Nan Rees porte un tailleur en tweed marron de Vera Maxwell, en laine Somersville. Chapeau de John Frederics Charmer. Maquillage : "Lucky Penny", par Harriet Hubbard Ayer.
Photo Richard Rutledge vogue archive
US Vogue August 15, 1951 ❤️❤️❤️❤️❤️
Grossman & Spiegel.
Models Lisa Fonssagrives (r), Unknown
Photo Unknown
vogue archive
US Vogue AUgust 15, 1951 ❤️❤️❤️❤️❤️
Model Unknown
Brown and white, playing-up the shirt and skirt. Play these, those that follow, through your wardrobe; through your day. One of the best shirts we've seen, in window-pane plaid Lanella worsted-and-coiton flannel. Skirt of Shamokin wool twill. Both by John Miller. Gold-plated bracelet by Bergère. All, De Pinna. Frost Bros. Shoes.
Photo Richard Rutledge
vogue archive