#auro-3d

[the-mystic-knights]

An interview with Rick about his decision to film Forbidden Zone 2 using the Auro 3D sound system, at Cannes Film Festival, 2015.

He introduces himself as “Ricardo Hombreelfo de Los Ángeles” i.e. Richard Elfman of Los Angeles.

(Original video; https://www.youtube.com/watch?v=mEbSesfepdY)

[bulletinwave]

3D audio streaming: How Auro-3D and DTS: X want to catch up with Dolby Atmos

3D audio streaming: How Auro-3D and DTS: X want to catch up with Dolby Atmos

Table of Contents 3D audio streaming: How Auro-3D and DTS: X want to catch up with Dolby Atmos Sound formats in comparison IMAX Enhanced Conclusion Read article in c’t 9/2021 Anyone who buys a home theater system or soundbar that can use Dolby Atmos, DTS: X or Auro-3D sounds to sound over the heads of the audience usually goes in search of suitable soundtracks after installation. After all,…

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[zeekmag]

全球最大巡迴表演《夢幻舞馬-卡瓦利亞》躍上3D大銀幕 12/1 美力開演

還記得兩年前我們曾經報導過的《夢幻舞馬》嗎？它顛覆舞台劇、馬術秀、馬戲團的表演傳統，打破力與美的極限，前所未有「人馬一體」之藝術高度，在沙漠、火山、銀河等千變萬化的場景動畫之中，開拓你對原始世界的想像！如今這齣劇直躍上大銀幕了，還是3D的喔！ (more…)

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[adriantregonning]

AES 139

Last week was the 139th Audio Engineering Society (AES) Convention. I was a member of the organizing committee, acting as the Volunteer Coordinator. It was a hectic but rewarding four days! I learnt a lot about the cutting edge of audio technology, and had many inspiring conversations with leaders in the field.

I also presented my peer-reviewed paper on the use of delay panning for height channels in 3D audio. The work was based on research I completed for my Masters thesis in Music Technology at NYU. After performing subjective listening tests investigating localization perceptions of vertical delay panning, I developed some guidelines for using delays in the Auro-3D 9.1 system. The abstract and paper are available online in the AES E-library.