#ave ninchi

[erstwhile-punk-guerito]

[vintagewarhol]

[gargantua]

[unateoriadegliautori]

guardie e ladri (1951)

[ofimaginarybeings]

 Murmur of the Heart (Louis Malle, 1971)

Benoît Ferreux, Ave Ninchi, Lea Massari, and Daniel Gélin in Murmur of the Heart 

Cast: Benoît Ferreux, Lea Massari, Daniel Gélin, Fabien Ferreux, Marc Winocourt, Ave Ninchi, Michael Lonsdale, Jacqueline Chauvaud, Corinne Kersten, Gila von Weitershausen. Screenplay: Louis Malle. Cinematography: Ricardo Aronovich. Production design: Jean-Jacques Caziot. Film editing: Suzanne Baron.

There’s a very dated play from 1953 called Tea and Sympathy by Robert Anderson that was made into an even more dated film by Vincente Minnelli in 1956 about a prep-school boy whose effeminacy makes him the target for gibes about homosexuality. To prove to the boy that he’s a real man (i.e., not gay), the headmaster’s wife offers herself sexually to the boy, telling him as she unbuttons her blouse and the curtain falls, “Years from now, when you speak of this, and you will, be kind.” The film version, responding to Production Code strictures, adds a coda in which we learn that the boy is now married – i.e., “cured.” I thought of Tea and Sympathy as I watched Murmur of the Heart, whose very different problem – adolescent horniness – has a very different cure – incest. Murmur of the Heart has always been something of a critical darling, from Pauline Kael’s description of it as an “exhilarating high comedy” to Michael Sragow’s essay for the Criterion Collection proclaiming that it “boasts the high spirits to match its high intelligence.” And for the most part I concur: Lea Massari’s joyously earthy performance as the mother is beautifully detailed, and Benoît Ferreux’s endearing gawkiness brings the character of Laurent to full life. Louis Malle’s script and direction keep things moving splendidly, never allowing things to bog down into “message moments” about priestly pedophilia – years before that became the stuff of headlines – or the parallels between the French involvement in Vietnam and that of the Americans, which was very much in the headlines when the film was made. And yet for me the ending of Murmur of the Heart seems as hollow as that of Tea and Sympathy. After having sex with his mother, the product of his attempt to console her for a breakup with her lover, he goes out to have sex with one of the girls he has met at the spa hotel where they’re staying – as if to prove that he’s “straight,” though in a different way from that of the Tea and Sympathy protagonist. There’s an awkwardness in the setup – the shocking taboo of incest – for what turns into a feel-good ending gag: The whole family, including the mother, the cuckolded father, the bullying older brothers, and Laurent himself, join in uproarious laughter at the fact that Laurent has gotten laid. If what had gone before the incest scene had not been so splendidly wrought – if, in fact, the incest scene itself hadn’t been so tastefully handled – would we really feel satisfied with this ending? For that matter, are we today really content with the film’s ongoing sexism, including the scene with Laurent in the brothel and an uncommonly pretty prostitute? Would anyone ever dare to make a comedy that concluded with a girl whose quest to lose her virginity ends with her having sex with her father? Or is it that what makes Murmur of the Heart a successful film is that it raises all these questions without belaboring us with them? It’s a virtual catalog of all of the social and sexual hangups that continue to make growing up such a trial. That it achieves this with, yes, “high spirits” and without preachiness may be its real virtue.

[tonisemitoni]

Il Tempo e le Anime (A mio padre e a mia madre) - Parte trentaduesima

L’orologio sul buffet della camera da pranzo segnava quasi le nove e un quarto della sera. Era il sette novembre del 1967. Il babbo seguiva seduto al tavolo della camera da pranzo con una sigaretta tra le dita, accesa a catena con la brace della cicca precedente, una strana commedia con Ave Ninchi, La nascita di Salomé di Cesare Meano, mentre la mamma lavava i piatti e io ero disteso sul tappeto…

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[perfettamentechic]

11 novembre … ricordiamo …

11 novembre … ricordiamo … #semprevivineiricordi #nomidaricordare #personaggiimportanti #perfettamentechic

2022: Sven-Bertil Taube, Sven-Bertil Gunnar Evert Taube, attore e cantante svedese. Figlio del cantautore svedese Evert Taube e della scultrice Astri Bergman Taube, Sven-Bertil iniziò ad appassionarsi alla musica folk e al folklore in generale viaggiando per l’Europa ancora molto giovane, tenendo concerti quand’era ancora soltanto uno studente della Royal Beskow School di Stoccolma. aube lavorò a…

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[pinknachowitch]

Walter e i suoi cugini

Emigrato da tempo a Milano e perfettamente integrato, il pugliese Walter deve far fronte all'arrivo dei suoi 2 cugini perfettamente identici a lui

#walterchiari #aveninchi #valeriafabrizi