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because it sounds like Bee's charging call in Rix Road is "en avant", have a French revolutionary B2-EMO

#Andor #B2EMO #B2-EMO #discord server made me do it and I love him so much #once again graphic design is my passion etc.

#andor #brasso #b2-emo #ferix #rix road

b2emo, bd-1 and c1-10p droid grief support group?? bc they've all been through so much?? pls?? i just want my traumatized robot sons to be happy.

#star wars #andor #jedi survivor #star wars rebels #b2-emo #bd-1 #c1-10p #b2 emo #b2emo #c1 10p #chopper

Two Moments from Andor 1x12, “Rix Road”

The Clem Flashback

Specifically, “before Maarva finds out we’ve been doing this in the house.”

Is it possible that this is just to remind us who Clem is after half a season’s worth of episodes? Yeah, maybe. But it’s also so reflective of what the show demonstrates in just a handful of scenes and lines—the different approaches that Clem and Maarva had to young Kassa/Cassian. Clem was reluctant to take Kassa off Kenari, and not just for self-preservation reasons—“he has people here,” Clem says.

We don’t have a sense of when the flashback occurs, except that it obviously occurs before Clem’s death, but what struck me is that Clem—unlike everyone on Ferrix—refers to Maarva as “Maarva” and not “your mother.” Again, Clem is Maarva’s husband, and this isn’t out of place at all—why would Clem say “your mother”? But he could. It’s a distancing thing, but not for lack of warmth.

To me, it’s a sign of respect—respect for Kassa, letting him decide and define the relationship he has with Clem and Maarva, recognizing and acknowledging that Cassian of Fest/Ferrix is and will always be Kassa of Kenari. Cassian does call Maarva “mom,” though we don’t know when that starts, and I have to think that it happened because he didn’t have to, wasn’t pushed to.

We know how Maarva felt about Cassian looking for his sister. I think we can intuit that Clem might have felt differently.

The “Stone and Sky” Chant

Specifically, that when they cut to B2-EMO, his little Binary warbles are chanting the same rhythm. He’s part of the neighborhood, the city, the culture, the people. He’s one of them, and it’s not just Brasso being stand-up. It’s a norm, it’s expected.