An Archive of Our Own, a project of the Organization for Transformative Works
by @bonearenaofmyskull
Summary:
While isolated from the rest of humanity as they escape the United States on their own sailing vessel, Will grapples with what he wants out of his renewed relationship with Hannibal.
Comments:
God, what a lovely, perfectly measured, somber post-fall fic. This is one out of maybe three perfectly executed post-fall fics that are my personal canon. This one... oh, THIS one!!!.... A somber sailboat fic composed of quiet moments and introspection, surprisingly short considering the amount of emotion and resolution it packs in its small real estate, it's the perfect fic to read the very night after you finish the last episode of Hannibal for a good, cleansing cry and a full heart before you go to bed.
Will had been afraid those few weightless moments: afraid and at peace, warmed by Hannibal’s body in his arms, and it had been so right. Right that they should die there together, right that they had killed together, right that Hannibal had known what was coming and still given himself over to Will as they stood on the eroding edge together. It was right when Hannibal’s arms tightened— desperately, compulsively— around Will. In those moments, Will had loved him more than he could reckon.
But here was Will, only a few feet away from him, his fingers thoughtlessly caressing the silver circle of wheel with just the pads, gripping, releasing. There he was, the toes on one foot curling and pressing into Cetus’s decking, his bare feet peeking out from new linen pants, slightly too long without shoes on.
There—impossibly there, undeniably there, inconceivably there. Close enough to touch, if Hannibal reached for him.
Hannibal stored him up in his mind, in a room encompassing all the oceans of the world.
“You are so consistently insistent," Will said.
Hannibal smiled. "And you so persistently resistant."
TLDR: The writing is exquisite— the tone belongs to the show, pairs perfectly with it. It’s full of restrained sensuality, has an amazing grasp on nautical terminology, a mastery of setting the scene in the loveliest way possible, and a real grasp on Hannibal-esque dialogue that was so, so satisfying. It treats both Hannibal and Will individually with such respect; Hannibal’s yearning and penchant for manipulation and his constant pushing, Will’s reservations and melancholy and frustration. Both of their fears and their pain. Hannibal is allowed to be vulnerable and afraid (while giving us heaps of pining and possessive Hannibal) and Will is allowed to be strong in a way that rings true to both their characters. It highlights the bitterly circular nature of their relationship, the way pain and tenderness seem to always be intertwined. The fic has so much angst and little resolution (just how I like it— a bitch likes blue balls). What’s unique about this fic is how it refuses to shy away from any facet of the twisted, tremulous place Hannibal and Will would be post-fall — the immense confusion, the yearning and learning and re-learning, the sea of blood and betrayal between them. This fic is not an ending; it’s a beginning, and that’s its true strength.
(much) more detailed review below the cut!
I'll talk about the writing first! (I'm being shockingly coherent here considering how much I incoherently screamed while reading/ in the fic comments). The TONE! is literal perfection. IMMACULATE. Only a few paragraphs in and I felt like I was watching the show, I FELT the bond between the show and the fic. The aesthetics matched — a feat, as the author manages to do that with such tight, contained writing while the aesthetic of the show is outrageously, extraneously beautiful. At no point does this author resort to flowery writing or extraneous detail— every word is measured, purposeful, bare, yet bursting with feeling.
This translates to one of my favorite aspects of the writing: its restrained sensuality. I say “sensuality” instead of “sexuality” because that’s what it is— gentle, but roiling eroticism, barely communicated in the slightest of details:
He became slowly conscious of Hannibal’s steady gaze on him as he moved. He halted as he came to his door, hand on the latch. Somewhere in the back of his mind those words echoed again—Is Hannibal in love with me?—and Bedelia’s measured tones as she answered... Will turned his head but did not quite look at him.
Hannibal’s attention remained steady, intent, curious. “Will?” he asked.
Will went inside.
Thereafter the association had him and would not let him go. He became aware of Hannibal’s attention in a manner he had never thought about much before.
... but instead he stayed with Hannibal, watching Hannibal’s face just inches from his own. Hannibal licked his lips and continued to apply pressure, watching Will watch him.
They remained in this tableau, waiting for deliverance.
Hannibal peeled the shrimp and removed the veins with deft turns of his wrists, his sleeves rolled up halfway to his elbows.
“I can help with that,” Will said.
Will could not resist testing his hand’s movement and felt it brush against the seam on the inside of Hannibal’s thigh.
“Try to be still,” Hannibal murmured. He ran his warm palm over the muscles of Will’s shoulder again, much the same as he had smoothed the blanket fifteen minutes before, and as he had once drawn a blanket over Will’s chilled form and caressed him, Will thought idly, mere hours after shoving Abigail’s ear down his throat.
Hannibal’s lips were parted, and Will could feel his warm breath. He knew the look without needing to see it clearly: admiration and ache warring equally over his chiseled features. Consuming, as always. Drinking him in. Taking. He wondered what Hannibal saw in his own face.
What’s glorious about this style of muted sensuality is that the power is all left to the implications — which are infinitely more than a scene in which a finite ~thing~ happens— to what’s unsaid, not done (but yearned for). Yearning (oh, there is so much yearning) takes a front seat. As a huge fan of Hemingway’s iceberg theory and contained writing in general, I loved this style.
The physical descriptions of the boat and the beauty of the sea were always lovely and anchoring. This author has a ridiculous command of the nautical world, and even if I didn’t understand all of it I deeply appreciated the attention to detail —
Hannibal had been a long time indoors and not a molecule of this natural beauty was lost on him.
But mostly he watched Will.
Will did not see this world of ultraviolet glare and sunblind desaturation as Hannibal did, but rather with the eye of a mariner and a fisherman. In the previous week, Hannibal had coaxed him into voicing some of his observations, and seeing life through Will's eyes had been in its way as fascinating as viewing death. A loon's laughing cry rose and passed on more than one occasion, and Will commented that it was a good sign for the fishery, that there must be a good number of menhaden, a baitfish, in the Bay that year...
A diffuse glow of sunlight illuminated his face from below, as the sun peeked through the skylights and lit up the woodwork and white upholstery in the saloon. It warmed the recesses of Hannibal’s sculpted face and made his eyes glow, more amber than brown.
There was no word on the weather, of the hot and unnatural stillness that held Hannibal and himself in its unrelenting grip.
The quotes at the beginnings of the chapters were also a really nice touch!
Hannibal's voice, his elite brand of dialogue— cyclical, cutting, seemingly random but never actually so— is captured perfectly; a difficult feat. It was so satisfying to read:
“Moments are all that we need, Will. Enough moments, strung together, make eternity.”
"To feel intensely is not a symptom of weakness, Will. It's the mark of the truly alive."
This makes the hannigram conversations feel so authentic, so classically them, with Hannibal's philosophical overtures, the religious imagery, the refusing to shy away from previous interactions/conflict between them, and prodding and digging into Will as he loves to do, as he can't resist doing. Combined with Will’s insolence and the way he can surprise Hannibal, can (briefly) render hims speechless, the conversations could be scenes pulled from the show.
I deeply loved and appreciated the instances of Hannibal pushing, of refusing to let things go (more on that later), of behaving instinctually (especially when Will pulls strong emotion from him). It rings so true to the character— Hannibal’s worst vice (with Will at least) is his inability to control his black impulses when he's overcome with feeling when it comes to Will, especially if it's negative, burning emotion like betrayal, jealousy, or hurt. (See: Mizumono, Dolce). Then Hannibal becomes a viper, lunging and striking without thinking, poisoning the space between them.
Hannibal’s continuous pushing was a product of the author refusing to ignore the latent issues that would lie between our favorite murder husbands post-fall. A lot of fics jump straight into murder-husbands epilogue or Will-is-immediately-as-bloodthirsty-and-happily-cannibalistic-as-Hannibal (and I'm not gonna lie there's a couple of those that are favorites, writing makes all the difference for me) but this fic doesn't do that. I’ll admit that it’s very much not a focus of the fic, there is absolutely no exploration of how Will feels about killing or cannibalism, if he felt powerful, if he wants to chase that feeling, no exploration of “it’s beautiful”. It’s not a weakness of the fic, just very glaringly not a part of it. This fic is severely focused on Hannigram’s complicated feelings about each other, in a dreamlike isolated place. The fic doesn’t bother itself with morality, doesn’t place judgement, positive or negative, on any of those acts. It also doesn’t dismiss them from the future, and any realistic future would involve such acts. As I said before, this fic is a beginning.
But, yes, back to my point! The fic touches on issues such as Abigail, Molly and Walter, and even the fall off the cliff by having Hannibal push Will again and again (even literally). I’m hesitant to say “explores” rather than “touches on” because it doesn’t do that, doesn’t provide a full resolution— it acknowledges these issues, establishes that they would be part of a continued conversation, and moves on. (Like I said; a beginning).
Although Will rarely (or may actually never) bring up any of his own issues— he only engages when forced to by Hannibal— he does display strength in typical Will ways, through resistance and insolence.
What Hannibal wanted was what Will had shared with Molly and Walter... He did not want to give these things to Hannibal.
A lot of fics will have Will either shy away from any discussion of Molly and Walter, because they’re ugly and difficult to execute well, and so they are erased as if they never existed— or they will simply have Will completely demote and reject Molly and Walter and the life he lived in Maine. But in this fic, Will is still protective of them, even as a memory, even as something that exists completely in the past, even as he moves forward with Hannibal. It’s a display of strength, of non-compliance, that I love.
Will shows strength in other ways, too. While he doesn’t start many of the difficult conversations as Hannibal does (as only insightful Hannibal can do), once engaged he’s present and sharp, sometimes unyielding and even hurtful. Will doesn’t shy away from the bitterness of the walls placed between them, walls that aren’t made of matter but of space— space Will placed between them, space Hannibal took (and continues to try to take) from him.
The result are many (beautiful) references to their past, to the rivers of blood between them:
The grief of their years apart flooded after, with the weight of what they had done to each other and what they had suffered at each other’s hands. The shadows of pain and stains of blood surrounded them, filling the boat, threatening to sink it and carry them both to the bottom of the sea.
He had been sure, and he was still sure- they had to deal with each other, to grope their way through their shared maze of long-stored griefs and the dead ends of failed trust.
Hannibal had awoken, and Will’s peace fled.
This last gutting quote takes me to another hallmark of this fic for me— a truly beautiful and mature display of their mutual unhappiness, a living example of “be careful what you wish for”. Both men have wished for this (for different lengths of time and in different degrees, yes, but they wished for it)— to be alone together, which is to not be alone, finally (“we are both alone without each other”). But now that they have it, they learn that they have to actually be together, and that perhaps they don’t know to do that, or at least how best to do that. They learn that there’s so much pain and unresolved emotion to contend with, when faced with the nothing but the other and time.
And so, after the story ends, they don’t leap into happily-ever-after. Instead, they leap into explorations of their unresolved feelings and their own failings. There’s such a deep understanding of both men’s failings, the unique ways in which their hearts are broken — there’s even a beautiful mirror where both men (separately) reflect on the ways in which they’re not enough for the other.
As then, Hannibal knew he had little with which to fight this enemy. He had no secrets left to reveal, no curiosity to exploit, no monsters to fight, no daughter to share, no one left to save but Will himself. He had only Hannibal Lecter, and that had never been enough.
Will wondered what equally tender and ravenous urge had brought Hannibal forward to watch over him while he slept... He tried to imagine if there might ever be any way he could give Hannibal enough to sate him. Maybe there was, if Hannibal had succeeded in sawing his way into Will’s head and eaten his brain after all. Will could not see it otherwise. The whole of Will’s entire life and being was not enough. It had never been enough.
This whole thing is both gorgeous and tragic, both of them harboring imagined shortcomings and impossible desires. Will wonders if literal consumption, to be eaten or allowing himself to be possessed in every other way, is the only thing that will sate Hannibal. And this Will is, very definitively, not willing to do that. (I’m not averse to fics where Will is— when done well, it’s supremely good). And Hannibal has always used Something Else to hook Will, to keep Will, and so the tragedy is in the hypothetical— what could have happened had he resisted some of his own worst impulses? Did Hannibal behave this way because of Will’s resistance, or would Will not have resisted him, rejected him, had he not been so manipulative, coercive, demanding, taking? *Sigh.* I also love that Hannibal is allowed to acknowledge his own failings and betrayals in this fic; it doesn’t always exists in post-fall fics (again, it's usually Will apologizing for his false life with Molly, etc). It makes for some delicious angst.
And my god, is the angst good! Striking, painful, gutting, love that for meee!!!! (I genuinely do!)
Will did not speak, not even to thank Hannibal. It stung.
BABEYYYY NOOOO why do the SIMPLEST sentences fucking destROYYYY me?!!
Does that make you feel better?” Will asked in a low voice. “It’s not enough that you take everything else—you have to take even the symbols of anything I had that wasn’t about you?”
Reaching out, he gripped the fabric of Hannibal’s shirt in his hand, closing his fist around it slowly.
“Maybe that should tell you something.”
Hannibal twitched slightly—Will had caught some of his chest hair—but he remained passive. It was Will’s weak arm, his right, and so the gesture was just that: a gesture, made for no better reason than emphasis. But it felt good to have Hannibal under him, looking surprised....
“What should it tell me, Will?”
“Some things”—Will breathed deeply through his nose, trying to steady himself—“do not belong to you.” His voice came low and quiet.
Hannibal’s hand came up and touched his arm, moving up to the recently injured shoulder, running his palm over Will’s shirt, passing his fingers over the roughness of scars beneath.
“I only wish to know you.”
literally SCREAMING INCOHERENTLY!!! I haven’t even used the worst (best) angsty bits — gotta save something for the actual fic! so go go go!!!
This deep understanding of both Will and Hannibal as separate individuals shines throughout the fic, but I’d like to showcase some really strong character lines. On Hannibal:
Hannibal was pleased with his age and the experiences that fueled it: every moment he lived he had snatched from God’s own sticky fingers.
He knew that Hannibal could and did partition his mind against such associations, that his affection was every bit as real as his violence... He could only find and explore this newly tender and painful place within him, like a man who cannot keep from tonguing an aching tooth.
... the mercurial author of both his pain and his relief.
He had probably investigated all of Will's belongings at some point.
Hannibal could believe, but he could never know.
(^ one of my favorite parts of the fic; the recurring explanation of Hannibal’s desire to possess Will is a product of his fear of not knowing him. This line is so simple and well done, yet full of anguish.)
Will had seen Hannibal’s heart break enough times to recognize it in his stillness, in the slight thrust of his jaw beneath closed lips, in the shifts between denial and acceptance in his brown eyes, which could find no safe place to rest in the landscape of Will’s face.
(i’m EMO.) Okayokay, Will’s character lines are just as fantastic:
He would be unable to tend his right arm well with his left hand, and Hannibal would insist, and he would be forced to give in. Will wished it did not matter.
(THIS. LINE. So much communicated about Will's mingled frustration and acceptance, about the power imbalance in this relationship, in just six words.?
He was so tired of it-tired of the vulnerability, of dependency, tired of the torture of needing comfort, of wanting comfort from his tormentor.
Will had adopted his trademark flat affect by the second of these sessions. He would stare ahead, at the pulse at the base of Hannibal’s throat, following Hannibal’s instructions to the letter, but he might as well have been the walking dead for all the emotion he expressed. He spoke when spoken to and offered nothing. (my chest hurts, oh will)
Will was a dark presence near him, slim and sharp as a cutlass.
And then he smiled, gray eyes lifting to Hannibal’s, bringing Hannibal’s heart into his throat. He smiled that sad smile of his, the smile that could contain oceans of sweetness and bitterness all at once.
✨ and this line, that encompasses both of them:
It still hurt, to be so vulnerable. It hurt that Hannibal had turned on him and could have drowned him or let him drown, yet again after so many times down this path. It hurt that Hannibal lived day to day and moment to moment, awaiting Will’s next betrayal.
and oh, oh this fic is rife with lovely hannigram passages:
Hannibal seemed to sense his weariness. “We’re always braver in the face of our own pain than in the face of the pain of those we love,” he said quietly. He turned his attention back to Will’s arm and let the conversation rest.
Is Hannibal in love with me? he had asked... Will had been enormously afraid of either answer.
Hannibal continued to cut the bell pepper in to a twisting spiral of red, his face and body still, only his hands working.
“I thought of you,” Will said finally. “Often.”
Hannibal’s breath released in a slow sigh. Will watched the words fill him up, set him to rest, with no outward change in his demeanor.
He wished it were always so easy. Or had it always been?
His movements were slow and deliberate, less like a doctor at work than a supplicant at prayer.
(^ okokok i'm NOT going feral i'm NOT! supplication/worship/devotee imagery in tender moments between lovers/from a hopeful lover to the object of his/her devotion is my WEAKNESS)
What would you give me?” Will asked finally.
“What would you have of me?”
“Would you give me”—Will articulated slowly, deliberately—“Bedelia du Maurier?”
Hannibal felt a thrill of surprise in his chest. Will was steady, studying. Hannibal watched the gray-blue of his irises. His pupils were constricted in the harsh daylight. “Do you want her?” Hannibal asked curiously.
“No.”
“I would deny you nothing.”
But, there is resolution. (Some). There is peace to be found. It comes in the form of Will letting go of the desire to ever kill Hannibal:
... dim memory of the thrill he used to get while imagining killing Hannibal came and went, just a phantom—powerless, soon forgotten. There was something freeing in the knowledge that he could not kill Hannibal even if he tried.... Will held himself over Hannibal for several long seconds. He imagined hurting him, pressing a knee to his throat and crushing his voice box, silencing that voice forever. No thrill accompanied the thought now. No pain, either. Nothing. He would never do it, he knew; he had taken his opportunity at the top of the cliff, and it would never return.
and is completed when he lets go: All of it was lost to the sea.
There is such tangible relief in Will’s deciding to let go of any illusions of killing Hannibal, and in releasing his pain to the sea. (And remember, the entire premise of this fic is Will deciding what he wants from Hannibal in this new life they find themselves in... and he decides.) With it comes such hard won, painful freedom. I literally felt a surge of relief and a burden dropped; Will’s. He is freed from having to "seek justice" or do the right thing. It's over. He can just, BE (whatever that looks like).
ps: I haven’t quoted too much from the last two chapters, as that’s where the most “plot” happens and they’re phenomenal and I can’t just copy and paste the whole chapters here. Please, just go read it! And I will link my comments: chapter 13 | chapter 14
I just... can’t say enough good things about this fic, but I’ve thoughtfully laid out everything major. It’s tremendous, satisfying, lovely. Go give it a read.
An Archive of Our Own, a project of the Organization for Transformative Works
Summary:
She moves into an apartment with a bunch of strangers because she needs to get away, to do something new; she never planned for everything that follows. Over the course of a year—through summer, fall, winter, and spring—Arya deals with the hardships of her past and the surprising hope of her future.
Comments:
Arya moves into an apartment with strangers because her pain over past trauma + Stark deaths :( makes it easier to deal with strangers than the people she knows. Too bad her roommates aren’t gonna be strangers forever. TOO BAD SWEET, SOFT, PATIENT, ADORING GENDRY IS ONE OF THE ROOMMATES.
spoilers beneath the cut!
This is both angsty and extremely sweet. Every one of Arya’s interactions has just the right amount of gravity. I can FEEL everything Arya is feeling. The characterizations are perfect-- Sansa is such a sweetheart but very wise, Brienne and Jamie with their surrogate-parent-wisdom-but-we’re-also-bartenders can’t be beat, Jon doesn’t make a lot of appearances but they are very strong appearances, and I like that it makes room for a lot more bonding with Sansa.
The depiction of depression was artful and moving. Loss and grief impact everyone differently and almost all the characters are dealing with it. We feel Arya’s experience the sharpest, of course. It’s just so well done and it makes anyone who’s struggled with any of this feel like they’re not alone.
Now the GENDRYA. First of all I love the trope of two characters having all their special bonding moments or like these dark conversations while smoking. And that stepping away for a cigarette bonds them, and becomes their pattern, their space. I love that shit. And the author made it even sweeter by making them conscious of it and deciding to end it, essentially deciding to go for it without the crutch. The kiss had the perfect amount of tension and gravity to it.
They say that he's the king of the street rats, that when you fall in with him, you’ll never go hungry again, that he has a harem of women from all over the world who will trek for miles and miles to share his bed. Emma doesn’t really know about that harem thing, but the “never go hungry again” bit is enough to catch her interest after (at least most of) a life on the street.
Comments:
Ohhh this is one of my favorites! The Aladdin AU is stunning with this pairing-- Killian is the perfect king of the street rats, and Emma is perfect as his companion. The twists the story goes through are completely unexpected (I really didn't expect them to be separated for about four five years! And for the story to not jump, but rather to persevere so we could get the details of what happened in that time apart, is wonderful.) The reunion, and the discovery of Emma's parentage and that whole scene, had me in tears. Such a good read, honestly.
