Belkis Ayón (1967-1999) was born in Havana, Cuba, and was a printmaker specialized in the technique of Collography, a printmaking technique for making works on paper. Ayón work themes revolved around the Abakuá, an exclusively-male Afro-Cuban society with a complex mythology that informs their rites and traditions. Abakuá began in Nigeria and was brought to Haiti and Cuba through the slave trade in the 19th century. Ayón researched the history of the Abakuá extensively, with special emphasis on the most prominent female figure in the religion, Princess Sikan. She sometimes replaced male figures with female figures, as in La Cena, where she portrayed some of the disciples at the Last Supper with ambiguously gendered figures. She also replaced Jesus with the image of Sikan. By disrupting the male-dominated Abakuán mythology through the creation of a more egalitarian iconography, Ayón defied the society's norms, and perhaps also those propagated by the Cuban government. Sadly, Ayón took her own life in 1999 leaving behind a powerful and innovative body of work that is both beautiful as it is scary (as her sister describes it) and also a family determined to keep Belkis legacy alive. #Herchive #belkisayon #illustration #arthistory #womenmakinghistory #archive #women #artist #womenartist #femaleartists #collography #printmaking #artistsofig #womenempoweringwomen #equality #herstory #abakua #cuba #havana (at Havana, Cuba) https://www.instagram.com/p/B5YCEoPlZHJ/?igshid=kv7rx2v97i0a