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Wolf Vostell "décollages collages" / Benjamin Patterson "Situationen fur 3 klaviere ... ", (exhibition and performance announcement), Galerie Haro Lauhus, Köln, May 14-28, 1961 [Fondazione Bonotto, Colceresa (VI). conceptual art ephemera. © W. Vostell, B. Patterson]
Ben Patterson
Ben Patterson
What do cardborad books sound like? / Quel est le son des livres cartionniers ?
Paper Piece, a performance by Benjamin Patterson Arrangements by Stuart Jackson Performed at The Ausgang Plaza, Montreal QC March 22nd, 2023 After having first performed a version of Benjamin Patterson’s “Paper Piece” by invitation of Stuart Jackson and Amanda Gutiérrez at SBC Gallery of Contemporary Art in Montreal, on April 17th, 2021, Kodama Cartonera members participated in another rendition of this Fluxus performance with special arrangements by Jackson, as a part of the repertoire for his solo show "Aural Readymades," including pieces by Patterson, Carola Bauckholt, Brian Ferneyhough, Iannis Xenakis, and Rebecca Saunders. Some of the questions we wanted to answer this time through making and performing was regarding the cardboard device’s sonority. How many sounds can a cardboard book produce? What kind of sounds? Which surfaces (glossy, porous, and so on) are more prone to which sounds, and under which circumstances? // Paper Piece, une performance de Benjamin Patterson Arrangements de Stuart Jackson Représenté à l'Ausgang Plaza, Montréal QC Le 22 mars 2023 Après avoir interprété pour la première fois une version de "Paper Piece" de Benjamin Patterson à l'invitation de Stuart Jackson et Amanda Gutiérrez à la Galerie d'art contemporain CSB à Montréal, le 17 avril 2021, les membres de Kodama Cartonera ont participé à une nouvelle interprétation de cette performance Fluxus avec des arrangements spéciaux de Jackson, dans le cadre du répertoire de son exposition solo "Aural Readymades", qui comprend des pièces de Patterson, Carola Bauckholt, Brian Ferneyhough, Iannis Xenakis, et Rebecca Saunders. Certaines des questions auxquelles nous voulions répondre cette fois-ci en jouant avec le carton concernaient la sonorité du livre cartonnier. Combien de sons un livre en carton peut-il produire ? Quels types de sons ? Quelles surfaces (brillantes, poreuses, etc.) sont plus enclines à produire tel ou tel son, et dans quelles circonstances ?
Portanto devemos orar, pois a oração faz com que a obra de Deus seja realizada. Devemos orar também porque a oração permite que Deus trabalhe em nós.
Ben Patterson (livro: Aprofundando o diálogo com Deus, p.27)
BEN PATTERSON
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