Little Book Review: To Love Again
Genre: Historical romance (antiquity)
Premise: Cailin Drusus, the hoydenish daughter of an old Roman-Briton family, lives a happy life during the twilight of the Roman Empire, aware of but largely unbothered by the crumbling infrastructure all around her. Then a terrible betrayal forces her to take shelter with her Celtic relatives in the countryside, where she meets stalwart Saxon warrior Wulf Ironfist. She’s well on her way to rebuilding a new life with her man, when yet another betrayal results in her being sold into slavery in Constantinople, where she meets another man. It’s just one thing right after another.
Thoughts: I generally put romance authors (or, at least, good romance authors) into one of three categories. First, there are romance authors who are great at creating compelling emotional drama within and between characters (or “Heart” authors). Second, there are romance authors who can depict the characters’ world in a tangible, fascinating way (or “Setting” authors). Third, there are authors who are really funny, excel at writing chemistry between the main characters, or just have a really engaging writing style (or “Fun” authors). Plenty of authors are skilled in more than one of these categories, but most have a clear best event. Bertrice Small, at least in this book, is very much a Setting author.
Bertrice Small, at least in this book, is very much a Setting author. The three points of the love triangle--adaptable Cailin, lunkish but decent Wulf, and pleasant but problematic Flavius--are all perfectly adequate characters; however, they and their relationships are all overshadowed by the bonkers plot. There isn’t much in the way of humor...at least, not intentional humor. The sex scenes are very frank, yet they don’t exactly sizzle. I was blown away, though, by how beautifully Small renders the transition between the Roman Empire and the Dark Ages. She concentrates mainly on Cailin’s Londinium-adjacent hometown and her grandfather’s tribal village in the nearby countryside, and this narrow focus really brings home the unease and poignancy of an ending era. She also effectively conveys that the Byzantine Empire had a completely different set of things going on; Cailin’s move to the city is a huge cultural shock for the reader as well as the character. Some overly educational pillow talk aside, the details of the characters’ daily lives are skillfully integrated with the plot in all the settings. I was completely transported.
In addition to my genuine enjoyment of the setting, I got a lot of laughs from how over-the-top the story was. Cailin and Wulf have so many enemies: Cailin’s greedy cousin, the cousin’s vengeful wife, Cailin’s bigoted grandfather, the grandfather’s scheming young wife, a pair of Byzantine pimps (they’re more like frenemies, to be fair), Flavius’s evil bisexual ex-wife, the ex-wife’s evil bisexual boyfriend, some random villain back in England who tries to steal Wulf and Cailin’s castle, and a fake amnesiac. Few of them stick around for long, so it’s like a revolving door of skulduggery. Much of the novel is in poor taste, but it’s hard to take most of it seriously.
Hot Goodreads Take: “If you're looking for a substantive read, though, don't waste your time,” warns one reviewer. That’s good advice, but if a sincere quest for a substantive read led you to this novel, you have bigger problems than an unsatisfactory reading experience.