#blender;

[ritarosaprates]

Inicio do storyboard referente ao Motion Graphics - Projeto individual

[ritarosaprates]

Protejo extra | Natureza Morta

Para o desenvolvimento deste projeto decidi optar pelos elementos presentes nas imagens.

Caneca- Recorri à técnica do extrude, apliquei um modificador; também fiz smooth para que a forma ficasse com um aspecto mais ‘suave’. Em termos de cor e texturas, executei este processo no cycles render no modo compositing e adicionei o efeito glossy para dar o ar de cerâmica. 

Prato- Para o prato recorri a um processo semelhante ao da caneca.

Maçã- Depois de ter a forma da maçã (construída com a foto em background) dei a textura recorrendo ao processo de mapping textuee.

Luzes: Apliquei dois focos de luz, um point e um sol. O sol a incidir da esquerda para a direita e o point de modo a dar uma luz mais difusa no plano de fundo e da base.

[metaphorsandbeyond]

CLUE: It was the Bachelor in the Castle with the Blender.

Comparison:

"Directed by first-timer Rupert Sanders, 'Snow White and the Huntsman' feels less like a movie than a deadly cocktail of movie cliches, all of which have been thrown into a blender, set to 'slow' and pureed for two hours."

Context:

"It’s like an episode of 'The Bachelor,' but with a British accent. The pasty, delicate-boned William goes around saying things such as 'As you wish, m’lady,' while our hunky huntsman grunts such anachronisms as 'Okay!' and 'Forget it!'

The rest of the dialogue (by Evan Daugherty, John Lee Hancock and Hossein Amini) fares little better. At one point, Snow White -- outfitted like Joan of Arc and preparing to lead an assault on the queen’s castle -- actually utters these words, apropos of nothing: 'Iron will melt, but it will writhe inside of itself.'

Say what, now?" [comparison here]

O'Sullivan, Michael. “Too many bad apples spoil a tale.’” Rev. of ‘Snow White and the Huntsman. Washington Post 01 June 2012. Web.

Nothing quite like a slow blender to capture the creation of a "deadly cocktail" of a movie; thanks to Michael O'Sullivan for the comparison and to FXA of McKinney, Texas for the review find.