#blue four

[embersart123]

an artists impression of fours head

what i think is happening in fours head

[vlink4]

It's another redraw, of Blue this time, but this one isn't as grand lol.

It's a redraw of a sketch. Should I redraw the other sketch (might change a lot)?

Also, kept the circle on purpose this time. I don't know why, but at this point they're important to me.

Do you think I should draw more BOTW stuff too? It's really cool, right?

[aetherityart]

💕HAPPY VALENTINES DAY!!!!! 💕

I was hoping to have them all done in time. I’ve had too many side quests and no map to speak of! 🗺️

❤️ I will finish them all as time goes on! So stay tuned! ❤️

[bluetapes]

Blue four now available to buy from the Blue Tapes site!

blue four 

Laurent Chambert/The Fractal Skulls 

C20+C25

Laurent Chambert is a French visual artist and composer who has been creating beautiful and unusual art since 1990. His installations are playful, thought-provoking and visually-arresting. As a musician he has been involved in several acclaimed projects, the most recent of which is the electronic duo The Other Colors.

Laurent’s submission to Blue Tapes is When The Cat Is Away The Mice Will Play. In his solo work, Laurent combines field recordings with flickering patterns of electronic sound that are both grid-like and strangely euphoric. Like the brilliant Italian producer Lorenzo Senni/Stargate, some of his work almost feels like a stripped-down-to-the-bare-atoms reading of techno. At other times it feels pastoral and immersive. Always, Laurent’s music is intrinsically ‘plugged-in’ to his environment, whether it’s the bustling cityscapes of Paris described by When The Cat... or the wells of ambient silence in his improvisations recorded in the French countryside.

We’ve parcelled Chambert with a similar electronic sound artist, Chris Smith of High Wycombe, England. A studio engineer by day, Chris makes delicious minimal synth-structures under the name The Fractal Skulls. Influenced by the god-twins of John Cage+Steve Reich andCluster+Harmonia, the music of The Fractal Skulls is unashamedly pretty, full of clockwork-like analogue pulses and holy repetition.

Praise for blue four:

"The Fourth instalment from Blue Tapes' ongoing delvings into the melodious pairs two like minded auteurs to produce some pretty divine outcomes...

Laurent Chambert's side starts in a lock grooved hypnosis of jazzy mirror glints. Reich tonal charges, gently tempo shunted, cut back to sift through some achingly beautiful crystals of elastic duality. Piano pulses lightly dusted in ping ponged percussion, fading slowly into watery timber creaks of oars and rumbling weather. Chord recyclings follow chased by cymbal flares, finally bowing out on the self same arpeggio(ed) dazzle of dancing fingers that started the track.

Fractal Skulls continues the vibe with an ambient sun stroked horizon entitled 'Endless 23'... A loose glitter haze, full of spiral lit curls and sequenced zest. Overlays of drifting melodica on 'Reserve Army of Labour' pursuing in gentle repeater candies and polyrhythmic milks.

Mellow dew that's well worth your attention..." - Rotten Meats