#borque

[camerist1]

Mother and Daughter

[teenage85]

¡Hola teenagers! Por fin llegó el día... El próximo sábado 25 de Noviembre presentaré Popmodernismo en directo (¡Y con colaboraciones sorpresa!) en la sala Alive! Music Bar de Madrid (Calle San Felipe Neri 4 <M> Ópera) a las 21:30h. Me acompañarán Borque (¡No puedo ser más fan! ¡Qué ganas de corear Guardianes Poderosos!) y los Perry Sisters DJs a los platos, pinchando éxitos del pop de ayer y hoy. Habrá 2 tipos de entradas: 6€ y 8€ (con consumición).

Tenéis toda la información en el evento de facebook. ¡No dudéis en apuntaros! https://goo.gl/xeAi1n 

También tenéis la posibilidad de comprar las entradas anticipadas en entradium. Aquí tenéis el enlace: https://goo.gl/zB6cB5 

[arqanae-blog]

[spozyme]

Rene Bourque nets a hat trick in Game 5

[tranquiloyemocionante]

Baroque by Walter Moser

If this is the case, what aesthetic form or structure does the Baroque work of art adopt? Many characteristics have been suggested and singled out by dif ferent scholars sampled below:

The art work is engaged in a permanent transgression of its frames and limits (Ndalianis).

The work systematically stages and produces "ontological instabilities" (for instance between appearance and being, illusion and reality, dreaming and waking, etc.) that might trigger cognitive dissonances in the process of reception (Moser, "'Puissance").

The art work engages in a luxurious, unproductive (Sarduy), and ex cessive (Calloway) use of semiotic material; hyperbole being a favor ite tropological modality.

It is de-centred and therefore tends to become polycentric (Ndalianis).

Its inner proliferating dynamic acts like an aesthetic horror vacui that tends to saturate its space (Carpentier).

It stages a permanent transformation of forms, metamorphosis (Rous set), morphogenesis (Calabrese), and anamorphosis being three of its favorite figures, Proteus its mythical hero.

The work favours complex forms and cultural sophistication (as in the Spanish tradition of culteranismo).

It prefers open, processual forms (as indicated, for example, in Carpentier's insistence on proliferación).

It is endowed with a built-in generativity of forms (Brown; Calabrese).

It might break away from the principle of mastering contingency of life {vita brevis, ars longa) and inscribe in the art itself a temporality of the ephemerous (Rousset).

This attempt to collect the specific characteristics of Baroque art has re sulted in an impressive yet far from exhaustive list of aesthetic features.