Bracha L. Ettinger, Eurydice n51 - Mothers and a child 2012-2016
Braverman Gallery

seen from United States
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Bracha L. Ettinger, Eurydice n51 - Mothers and a child 2012-2016
Braverman Gallery
Whose phantom is it?
Whose crypt is it?
Who would remember an Event and who would forget a Thing, and on whose behalf?
And if the memory of the Thing or Event emerges from lost traces, or is traced for the first time, in and by art—whose memory is it?
Bracha L. Ettinger,
“The Matrixial Borderspace.” (2006)
Bracha L. Ettinger, Pieta, 2014-16. India ink and wash on paper.
Group Show at High Art
Bracha L. Ettinger
http://www.callicoonfinearts.com/artists/bracha-l-ettinger/
We are connected through art even if we are, as individuals, retreating from one another and from the world.
Bracha L. Ettinger, Art in a Time of Atrocity, 2016.