#dc comics#dc#dick grayson#dc fanart#batman#tim drake#batfam#batfamily#bruce wayne
seen from Georgia
seen from Netherlands
seen from China
seen from United States
seen from Brazil
seen from China
seen from Malaysia
seen from Canada
seen from United States
seen from United Kingdom
seen from Canada
seen from United States
seen from China
seen from United States
seen from Canada
seen from China
seen from United States
seen from Singapore
seen from China
seen from United States
I think that politics begins with our desires, and our desires are that which evade us, in the very act of propelling us forth, leaving as the only indicator the traces of where we have already been, that is to say, of what we have already ceased to be [...] As such it needs to be started all over again, constantly. In this repetition of the cartographic gesture there lies the potential for opening up new angles of vision, new itineraries.
Rosi Braidotti, Toward a New Nomadism
each text is like a camping-site: it traces places I have been, in the shifting landscape of my singularity. Homelessness as a chosen condition also expresses the choice of a situated form of heterogeinity, which I tend to display in my writing style. Is it any wonder then, that each text seems to grow out of the other by a slow process of accretion?
Rosi Braidotti, Nomadic Subjects
We think with the shadow of death dangling in frontĀ of our eyes.
Rosi Braidotti, Transpositions : On Nomadic Ethics
The event is inscribed in the flesh, which is the thermometer of becoming. We must therefore labour towards the counter-actualization of painful events - zoe leaves its scars. 'We must accompany ourselves - first, in order to survive, but then even when we die' (Deleuze 1990:161). This is a form of experimentation: 'It is to give to the crack the chance of flying over its own incorporeal surface area, without stopping at the bursting within each body; it is, finally, to give us the chance to go farther than we would have believed possible' (Deleuze 1990: 161).
Rosi Braidotti, Transpositions : On Nomadic Ethics
Ethics is a matter of experimentation,
Rosi Braidotti, Transpositions : On Nomadic Ethics
1. Histoire(s) du Cinema (1998), ep. 7/āLe controle de l'universā, dir. Jean-Luc Godard 2. Rosi Braidotti, in interview 3. Boy Meets Girl (1984), dir. Leos Carax
Literature has remained a constant factor ā people say that French philosophy is nothing but literature with a more theoretical slant. As you know, part of the analytic/continental warfare is the dismissal of French philosophy as far too narrative-based, far too aesthetically pleasing. These people are great writers, they do interesting things with language, all things that analytic philosophers donāt do. ā¦ So, in a sense choosing French philosophy is also a way of choosing, of course, a type of literary philosophising that is totally central to my thinking.
Rosi Braidotti, in interview
And itās no wonder that A Thousand Plateaus is taught in business schools. People want to understand how the world works. The punchline for us is that we are a part of it. This is unbearable for Marxist-Leninists because they are always assuming a position exterior to and outside of capitalism; they see themselves as exterior to the system. [ā¦] The feminist, immanent position assumes the humility of saying āwe are a part of capitalism.ā That is the beginning of wisdom, that is to say of an adequate cartography of our real-life conditions. Well, that wise humility is just completely not in the picture with the neo-Leninists who are still talking as if they are in charge of the course of history, as if theyāve got the truth in their pocket and they are going to tell you at which particular point capitalism is going to break so that they can stay in charge of the revolution. Capitalism doesnāt break, it bends. It enfolds and unfolds.
Rosi Braidotti, in interview
