two fine lines
observation
&
perception
07/10/2026 ©️ debora smail
seen from United States

seen from Spain

seen from United States

seen from United States
seen from United States
seen from Tunisia
seen from United States
seen from United States
seen from United States

seen from United States

seen from Germany

seen from United States

seen from United States
seen from United States
seen from Brazil
seen from United States

seen from United States
seen from United Kingdom

seen from United States

seen from United States
two fine lines
observation
&
perception
07/10/2026 ©️ debora smail
Lace 2 by Shirley Conran
Brush Strokes: Series 4 Episode 6
The Heart of a Woman by Maya Angelou
Brush Strokes: Series 4 Episode 3
these r some quick tests of what can be done with the current brushstroke animations. even if there is not wide color in the original image, if u tint it there is a lot of possibility for variety.
in a proper program it wouldnt be jittery like this. i want to create more variety of the shape of the brush stroke and more colors. maybe some tests with paint that gradients its colors. ex; blue -> red, etc.
“In staring at the face in Borremans’s portrait, I wasn’t left thinking about the history of early Netherlandish panel painting. I was instead reminded of the experience of moving through a city, the mix of intimacy and alienation that comes from incessant, packed proximity with strangers.”
On the Faces of Strangers: Michaël Borremans’s Pandemic Portrait | John Vincler
The Paris Review, July 30, 2021
I Know Why the Caged Bird Sings by Maya Angelou
Brush Strokes: Series 1 Episode 10
detail
Guido Reni's The Abduction of Helen, 1630. Louvre