#ceal floyer

[abwwia]

Ceal Floyer, Nail Biting Performance, 2001/2012. As an overt reference to private preparations for a public appearance, Floyer staged the Nail Biting Performance at Symphony Hall, Birmingham in 2001 and again immediately preceding the official press conference of the 2012 dOCUMENTA 13 in Kassel. Photo © Hugo Glendinning

[posttheory]

Ceal Floyer

[mentaltimetraveller]

Ceal Floyer, Plughole (still), 2017, video projection with sound.

[slack-wise]

Ceal Floyer

[collectionarchive]

by Ceal Floyer 1mx1m, 2021

Plastic folding rulers

source: collectionarchive.tumblr.com

[10oclockdot]

A further exploration of the readymade in art, 10 images.

A follow-up to this post, this post, and this post, featuring:

Antonio Muntadas, Transfer, 1975 (a video readymade, prompted by a shipping error; see text from VDB above) Ceal Floyer, Secret, 2009 Pedro Reyes, Disarm (Harmonica), 2017, recycled metal, 15x21x3 cm Daniel Spoerri, Multiplicateur d'Art (Spiegelobjekt), 1964, collage of object glued to mirrors, 51x100cm Claire Fontaine, 371 Grand (The keys open the Reena Spaulings gallery), 2006, 5 metal keys and wire, 3x1in Marcel Broodthaers, Lampe Bleu et Chaise, 1969, lamp, bulb, reflector, chair, black paper, dimensions variable Chris Burden, Porsche with Meteorite, 2013 Nina Canell, A Model Where Things Merge, 2011 Tom Burr, A Conversation, 2013 Maya Lin, Toy Asteroids: Boys v. Girls, 2009

For more notable artworks linked by a common theme, click here.

[8total]

Ceal Floyer, Peel, 2003, DVD projection

[antronaut]

Ceal Floyer - Mutual Admiration (2015)

two speakers standing in front of each other on stands, connected to two iPod Nanos playing two looped audio tracks photo: Andrea Rossetti