𝐍𝐎. 𝟏 ❛ 𝐝𝐨𝐥𝐥 𝐡𝐞𝐚𝐫𝐭 ❜ | VARIOUS LOCATIONS, LATE 1990 - EARLY 1991
❧ 𝐛𝐞𝐠𝐢𝐧𝐧𝐢𝐧𝐠 / 𝐩𝐫𝐞𝐯𝐢𝐨𝐮𝐬 / 𝐧𝐞𝐱𝐭.
❛ In early March, the Office of the Crown released its first personal statement since the funeral. It resembled the releases that had followed other deaths:
' With the mourning period ended, our family is eager to return to public life. We have spent our time away in the traditional manner. Our ancestors understood the loss of a loved one demands total acknowledgment. Public ceremony is one component, but life cannot resume without granting the wound time to heal. This is reality for even those of us blessed with tremendous responsibility. We expect to always bear the scar of remembrance, just as we know the nation will, but we remain grateful for this time of recovery. Each of us has engaged in true reflection. We intend to recommit to Uspana and its People with clarity and appreciation. This is what our beloved Princess Safya would have wanted. '
❧ i did kinda phone this one in, but akjfsdh it's a nice montage, i think.
𝐬𝐜𝐞𝐧𝐞 𝐜𝐨𝐧𝐭𝐢𝐧𝐮𝐞𝐝 ↓
In truth, the family’s practice of mourning varied enough to warrant a white lie to the public. Some did indeed take the traditional approach. Rodrigo, Matias, and Leonor all sequestered themselves away to a degree; they engaged in that esteemed “true reflection” with only their selves and their memories as company. For others, the dictates of tradition mattered less. Their mourning looked like clinging to routine, revisiting familiar places, seeking comfort in the presence of others. Beatriz returned to Yaas for the first time in years, welcoming for once the way her childhood haunted it. Contemplation could find its way into these activities—in the tranquil baking Olalla did or the letters Mateo wrote to his father—but not everyone was willing to allow it. They formed a spectrum in their grief, one that none policed or much noticed.
The only requirement was that they maintain privacy. Whether at Alam Palace, in the residential quarters of Nakawe Palace, or retreated to personal homes and hotel rooms, they were to be reclusive. An uneasy but time-honored truce existed with the media. Whether the respectable evening news journalists or the scrappy tabloid photographers, all kept their distance. The Crown’s official policy nonetheless remained: they were untrustworthy. The intrepid would seek gossip from launderers and groundskeepers and couriers. The foolish would trespass, slinking along unmarked trails and hoping for glimpses of impromptu promenades through gardens and on private beachfronts. Temporarily, the embargo held. Pop stars, politicians, actors, and socialites dominated the headlines. The media cultivated a surreal alternate reality for the public in which Princess Safya had never existed because Uspana had no royal family of which to speak. All the while, they stockpiled stories to inaugurate the eighty-first day.
