Chris Wiley
Dingbat (12), 2014
Archival inkjet print mounted on aluminum; artist frame with faux ostrich leather 42 x 28 inches
Nicelle Beauchene Gallery
seen from China
seen from Germany

seen from Malaysia

seen from Malaysia
seen from Malaysia
seen from Germany
seen from United States
seen from Malaysia
seen from United Kingdom

seen from Malaysia
seen from Malaysia

seen from United Kingdom
seen from France
seen from China
seen from Albania
seen from Bangladesh
seen from Russia
seen from United States
seen from Malaysia

seen from Australia
Chris Wiley
Dingbat (12), 2014
Archival inkjet print mounted on aluminum; artist frame with faux ostrich leather 42 x 28 inches
Nicelle Beauchene Gallery
Chris WIley Dingbat (14) 2014, Archival ink jet print mounted on aluminum with faux alligator skin frame 42 x 28 in
"Noah's Ark" at Nicelle Beauchene
“I like to say that street photography is when you can smell the street and feel the dirt ... and that’s what you feel in these pictures. You feel the dirt, you feel the sweat, you feel the sleaziness, you feel the tension, you feel . . . New York.” -- Bruce Gilden
Chris Wiley writes: “...while the streets might still be a circus, we no longer think of them as the biggest stage upon which we strut and fret our hours. Instead, we have vanished into our virtual worlds, halls of mirrors from which it is becoming ever more difficult to escape.“
Chris Wiley
Chris Wiley
43, 2014
Archival ink jet print mounted on aluminum in custom plywood frame
Chris Wiley Dingbat (34) archival inkjet print mounted on aluminum in artist's frame with mirrored plexiglas 2015
Chris Wiley 11 archival inkjet print mounted on aluminum in custom plywood frame 2012