Iluminated Bark - Christopher Burk , 2024
American,b.1960s -
Gouache on paper , 12 x 12 in.
seen from United States
seen from Brazil
seen from Australia
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from Netherlands
seen from China

seen from India
seen from China

seen from Australia

seen from United States

seen from United States

seen from United States
seen from Switzerland

seen from India
seen from Germany
seen from Malaysia
Iluminated Bark - Christopher Burk , 2024
American,b.1960s -
Gouache on paper , 12 x 12 in.
Christopher Burk
we still have the moon.
Enomoto Seifu-Jo, tr. by Kenneth Rexroth, from Written on the Sky; Poems from the Japanese / Tomoharu Okamura SUI-GETSU Japanese paper, Metallic foil, Mineral pigments, Pigment 2017 / Emily Skaja, from Brute: Poems; “No, I do not want to connect with you on Linkedin” / Still falls the rain, Daichi Takagi / Adonis, ‘Beginnings of the Body, Ends of the Sea’ / Winter night in the Netherlands - Stefan Bleekrode , 2018. / e.e. cummings, from “the moon looked into my window” (excerpt from Is 5), Complete Poems: 1904-1962 / Golden House Nocturne - Christopher Burk / The Door, Margaret Atwood / Lois Dodd, New Moon Through the Trees. 2015 /
Christopher Burk, Finding the Light, 2022
Gouache on paper
by Christopher Burk
Christopher Burk.
Visual nocturnes by Columbus, Ohio-based artist Christopher Burk.
Christopher says of his work: “The pursuit for something new, unique forms and compositions, found in our everyday exterior environments are the subjects that are consistently sought after as the major contributors to my work. The main focus showcases the mundane within the landscape, for example, transformers, utility poles, tops of structures, and wires, and how each interacts with one another in the composition. Taking something so utilitarian for example, like that of a telephone pole with all of it’s components, on average would be, and usually are, looked upon as something that is less than visually desirable, yet when presented in a unique way this provides one with the tools needed to visually tune into not only in their everyday environments but also that of the world — therefore, giving viewers the capabilities to find beauty in the simplest of things.”
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Christopher Burk
Christopher Burk