“I don’t believe in this kind of bullshit,” explains the driver as a tricycle goes sailing onto the hood and bounces off the expanded-metal mesh over the windshield. “It’s just exploitative, and trains you to get used to it rather than look for what’s really important, the child.” For my part, I’m not entirely sure that my travelling companion actually did check for the presence of a child before swerving onto the sidewalk to clip what he assumes was a deliberately abandoned false-flag prop tricycle.
For a couple years now, I’d been noticing the rise in the neighbouring suburbs of various street indicators that children were at play. My favourite was a life-size injection-moulded plastic child with “SLOW” stamped on his buttocks. The idea, in case you hadn’t cottoned on yet, was that you would be reminded of the existence of children, feel some kind of deep-seated communal guilt, and plow through the intersection without taking your eyes off your smartphone at 37.5 km/h instead of the legally-tolerable full fifty.
A couple weeks before the interview, I noticed that the amount of roadside props had only grown. Some houses would make a whole diorama, scattering toys and conveyances as to give the impression that a child had just abandoned them and was getting ready to run into the road. While looking for this phantom child, the idea goes, you’d naturally slow, as everyone who operates a car in my city slows to a snail’s pace whenever they have to think about anything at all. Stuck behind one of these individuals is where I found my new interview subject, a guy driving a blacked-out third-generation Firebird who I will only refer to as “The Asshole.”
The Asshole did not believe in this propagandist approach to road safety, and in fact was outraged by it. He made it his mission to drive recklessly through the neighbourhood but not to hit any children, because no parents ever let their kids play in the middle of the fucking road. He stressed to me later when I was interviewing him for The Journal of Bad Cars (our new higher-class, literary publishing arm which attempts to target a more wealthy reader, such as those capable of buying a used Intrepid in cash) that ice cream trucks, lawncare technicians, letter carriers, and coyotes didn’t count as “children” for the purposes of his great social experiment.
Personally, I had a bit of a thrill at the excitement of racing through an unfamiliar suburb at six-tenths, mandated-identical homes flickering through the thin slit of an acrylic racing windshield like the end of 2001. When I bid farewell to The Asshole, I made sure that I was fully outside of the vehicle and its NASCAR-grade door bars before I asked him what he felt about playground zones.
“They’re great,” he yelled, before engaging the line lock to lay a smoke screen a mile thick. “Gives me a chance to warm up my tires!”
As he sped off into the distance, I could just barely make out his bumper sticker: I BRAKE FOR CORNERS.















