Let’s Get Dressed (FULL)
A long, long time ago (2013, to be exact), H from TheWritersHelpers and C from WriteWorld (inactive) got together for a collaboration on how to write and describe clothing. This is the fruits of their labor.**
Anonymous asked: Any tips on describing clothing?
The Writer’s Helpers and WriteWorld have teamed up to create a series on clothing and fashion. These articles were primarily written in the context of how to write about clothing.
Clothing is a term that is used to describe items worn by humans (and recently other animals, like tiny dogs), either for practical reasons or for reasons of style. Since humans have been wearing clothing for tens of thousands of years, it’s probably best to narrow down the timeframe for the clothing you’re describing to a particular era, year, season, etc. With that in mind, let’s talk about fashion!
Fashion (n): A popular trend, esp. in styles of dress, ornament, or behavior.
We’ll be discussing the dress and ornament portion of this definition. Now, there are a few ways that fashion might affect your description of clothing: Your character might be fashionable, ahead of the times, behind the times, or apart from fashion entirely. All of this is going to make a difference not only in what the clothing actually is, but also in what there is to describe about said clothing. Let’s have a look at these different positions for your character on the fashion scale:
1. Fashionable. Fashionable characters are insiders. They are usually very in tune with what is hip with the kids. Fashionable characters (for an example, read the booksThe Devil Wears Prada,,The Princess Diaries, and Confessions of a Shopaholic) can usually have a backstory where they once were not fashionable- perhaps the unpopular nerd- and with a little help or luck, improve their fashion sense. Magazines such as Vogue, Seventeen, or GQ can act as guides for your fashionista characters in present day. For more on eras, check out the “Links to Look At” section at the end of this article. If you’re writing a fashionable character, you might use clothing labels to describe your character’s clothes as opposed to just describing the color, size, etc. You might also want to thread themes through the character’s style, such as the season or a trademark for the character (think always wears yellow or channels Audrey Hepburn on the red carpet). Materials vary often in fashion, but fashionable characters are more likely to wear expensive fabrics and jewelry. After all, they have a reputation to uphold.
2. Ahead of the times. These are the trendsetters, the fashion pioneers, the people who pave the way for others and push the boundaries in all the right ways. Trends come and go, but the fashion forward never look back. Characters wearing forward-thinking fashion (or couture) might find themselves in fur and duct tape and think nothing of it. Descriptions of their clothing might tend toward the bizarre and using eclectic words may help drive home the eccentricities of their style. For example: Her aluminum coat sparked like Tesla coils in the firelight. Weird descriptors aren’t a problem for fashion-forward characters. The weirder, the better.
3. Behind the times. There are those unfortunate souls who do not keep up with the fashion popular at the time your story takes place. Whether it’s the 1580’s or the 1980’s, not all fashions are universal. Styles come and go, but if your character’s whole wardrobe was procured twenty years before the story begins, they’re probably not up with the latest fashions. This might arise from monetary constraints or because of isolation, but the simple fact is: not everything is retro-chic.
Retro-Chic (adj): pertaining to the fashionableness of the nostalgic revival of a style.
Characters who are behind the times might have old clothes that aren’t in the best condition. They may not have the vocabulary to describe the clothes they wear or that others wear with any degree of accuracy. This most especially applies to clothing labels or technical terms for the design of clothes as the character is not up on the popular designers and the newest fashions.
Apart from fashion altogether. There are many reasons why a character might be apart from fashion. Fashion is essentially self-expression, and some people don’t care. Take into consideration religious preferences (monk attire is pretty standard), strict parental figures (if your character is a youngster), or time travel (we’re lookin’ at you, Doctor Who). Characters who stand apart from fashion may also be unaware of the terminology to accurately describe clothing popular at the time and in the place of your story. These characters might not, for example, know the word “silk” and so must describe around the word. They might not have any concept for manufactured material and therefore have trouble describing nylon or faux leather.
Links to Look At:
“Why Do We Wear Clothes?” by vsauce
Glossary of Clothing Terms by allwords.com
Your Guide to Clothing Terms by EBay
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Let’s look at detail. What sort of descriptors could you use, how could you use them, and why?
Try not to go overboard with the description, but make your descriptive words count. Let’s look at an example of a simple description of the two largest articles of clothing on an example character:
She wore a top and a skirt.
That’s pretty basic. “Top”, for example, isn’t very descriptive. After all, women’s fashion is complicated! So, let’s use specific terminology:
She wore a blouse and a skirt.
You might add color:
She wore a black blouse and a gray skirt.
You might add fabric descriptions (Remember, the color describes the fabric now, so it goes before the descriptive word for whatever material the clothing is made of):
She wore a black silk blouse and a gray tweed skirt.
There are other descriptors worth mentioning such as how the clothing drapes or hangs, its age and general condition, its size and length, and the overall feeling toward it from the narrator.
How it drapes: The dress was slinky; it clung to her curves and pooled like water at her feet.
Its age/condition: His jeans were faded and ratty at the seams, especially on the back pockets where there were inch-wide holes.
Its size/length: Her boyfriend’s XXL shirt nearly swallowed her up and fell to her knees like a shapeless potato sack.
Narrator feeling: It was an ugly gray uniform.
With all of these descriptors around, the business of relaying useful information to the the reader about a character’s clothing can get pretty muddled. No one wants to read a description like:
She wore a boring black silk blouse that was over-large, a few years old, and hung blandly from the crest of her breasts. Her shin-length gray tweed pencil skirt was also old and too small for her hips.
There is just way too much going on there. Too many descriptors. Cut out the adjectives and adverbs that aren’t absolutely necessary, the ones that don’t really add anything essential to character or the look and feel of the scene. You may think that the above example is so obviously bloated that it’s too easy for me to state offhand that you must hack away at its descriptors and leave only the bare essentials. Well, I agree, but it is possible to have a decent bit of description and still overshare. For instance, it might be way too detailed to embroider the blouse and skirt example thusly:
She wore a black silk blouse that shone in the flourescent light of the waiting room. It had loose sleeves that gathered at the crook of her elbows with a little bow and buttons covered in the same sleek material as the blouse. Her skirt was made of gray tweed and slightly out of fashion. The waist cut uncomfortably into her stomach just below her navel and the hem rode up past her knees when she sat. She couldn’t cross her legs in the skirt; it was too tight.
Now, if the “loose sleeves that gathered at her elbows” are described for a purpose--maybe she has an injury or blemish she’s trying to conceal or she’s very modest--then details of this kind are great to have. Unless the details of the clothes are important to develop the character or the plot or the setting, you need not distract the reader with unnecessary description.
There are a few methods to consider when describing clothing.
Blocks. Block style moves from the biggest, most noticeable articles of clothing to the smallest. It describes in a similar order to what the eye sees. Since the largest piece of clothing at around eye-level will be covering the upper body, block style usually starts there with a shirt or jacket or the bodice of a dress. Layers in an outfit are described from the outermost clothing item to the innermost item, then go back to catch the accent items.
For example: He wears a jacket, vest, and crisp white shirt with a checkered tie and matching blue pocket handkerchief.
Another fun tip: If items match, you only need to describe one with the corresponding details. Notice that I was able to omit the color of the tie because I said the blue handkerchief matched it and that I didn’t mention the pattern on the handkerchief because we knew that it at least looked good with a checkered tie.
In the instance of a dress, however, it is more likely that block style will point out the most noticeable (i.e. largest) part of the dress first. If the dress has a poofy skirt, you can bet block style will point that out. Regardless, if the article of clothing covering the upper body is separate from the article covering the lower body, block style usually describes the top first then moves to the bottom then to details like shoes, belts, and jewelry.
Colors. A large part of clothing is color. The color of what a person wears often depicts their mood without them realizing. It has a lot to do with color psychology (x), which describes how different colors affect a person’s mood. The human eye is also attracted to bright colors (some of which even cause headaches and irritation, such as bright yellow or red), though the average eye can see around seven million colors. For more information on color theory, click here.
More likely than not, a person wearing orange might be noticed before a person wearing gray. The eye is drawn to the orange because it is bright and demanding. Weather also affects what colors a character would wear. For example, in winter months, many people wear darker colors such as black, navy, grays, and browns (termed neutrals) because the lack of Vitamin-D in the human body doesn’t allow for endorphins to be produced as largely, causing a decline in mood. It is commonly believed that darker colors represent darker or depressing moods. And in summer months, your character might be wearing brighter colors such as yellows, pinks, and greens because sunlight elevates a person’s mood.
It is also important to remember the cultures of your characters. Say a character is getting married and is of Irish descent. Assuming she’s traditional, she would wear a blue wedding dress because in ancient times, blue represented purity and was the prefered color for brides. In many cultures, such as in Sweden and China, the color white represents mourning or death. It is essential to research the culture of your characters. Otherwise, you may end up with a white wedding that feels like a heck-of-a-lot more like a funeral. For more on what brides wear around the world, click here. For more on color symbolism, try here and here.
Describing colors can be difficult and you don’t want to be put into the category of really cliche fan fiction descriptions. His green orbs watered and he blinked to keep the tears from spilling over... Not happening here. Generally, you’ll need another word to help describe the color of something (for a list, click here). For example:
His shirt was pastel blue.
Placing “pastel” in front of “blue” indicates that the blue that he was wearing was lighter, or closer to a neutral color than if he were to be wearing a dark blue shirt.
Her jeans were covered in patches fabric with flamboyant pink bunnies.
What do you think when you see the word flamboyant? You think bright; you think colorful; you think brightly colored and decorated. It adds more than just saying “Her jeans had patches in them”. Don’t be afraid to dip into the Crayola Crayon color dictionary and use names of colors like “Mac n’ Cheese Orange” or “Sahara Desert”. Used in the right context, these colors can add another dimension to your regular oranges and browns. Though these fun words are great alternatives to your average colors, be careful not to overuse them. No one wants to read one incredibly-detailed clothing item after another.
Fun fact: If you put a group of women in a room, those who are wearing red are most likely on their period.
Reverse Order of Dress. This is a weird one. When in doubt, describe in the order that you put on your clothes--backwards. Obviously, you’d want to start with the visible items and work your way closer and closer to the body. So, if you put on your shirt then your pants then your cardigan then your shoes, describe in that order.
** This is not to say that H will not continue this series later on. However, this is the extent of their collaboration.