I would love to see a dark blue devider/banner thingy et 🤤🤤
﹒ ︵︵ I actually had been making a blue when you asked this, but here's a darker one as well ! ❜
﹒ ︵︵ Reblogs greatly appreciated ❜
seen from Russia
seen from Brazil
seen from United States
seen from Russia

seen from Taiwan

seen from Singapore

seen from United States
seen from United States
seen from Türkiye

seen from Brazil

seen from Türkiye
seen from United States

seen from Israel
seen from Ukraine

seen from India

seen from United States

seen from Israel

seen from United States

seen from Malaysia
seen from Israel
I would love to see a dark blue devider/banner thingy et 🤤🤤
﹒ ︵︵ I actually had been making a blue when you asked this, but here's a darker one as well ! ❜
﹒ ︵︵ Reblogs greatly appreciated ❜
Marina di Trieste ❤️
"Aoraki and Lake Pukaki No. 2 | 56 x 42 cm | Soft pastels | 2018
All over the world--in Greek villages, in the American Southwest, among the Tuareg--blueness repels evil. Blue glass bottles on windowsills keep devils out, and so on. Thus the front door, painted spirit blue, and the vibrant blue canopies above the windows. Which blue? There are thousands of blues.
Louise Erdrich, from “The Sentence” (quoted here)
Norman Lindsay - The Peacock Robe, 1929, watercolour on paper
Norman Alfred Williams Lindsay (1879 – 1969) was a versatile and prolific Australian artist, working as a painter, cartoonist, illustrator, etcher, sculptor and author. Lindsay was masterful with his drawing and painting technique, but his talent was often overshadowed by the controversy created by his works depicting paganism, eroticism, and attacking society's attitudes and morals. Lindsay was born in Creswick, Victoria and moved with his family to Melbourne. He tried attending drawing classes at the National Gallery School but quit after a few months. He began drawing for newspapers and worked as a ghost illustrator for his brother Lionel. Norman later attended life drawing classes and Lionel taught him how to etch. Norman focused on light and colour as he developed proficiency in watercolour and oils. Lindsay moved to New South Wales in 1901 where he worked for many years as the chief cartoonist for the Sydney Bulletin, his works often commenting on politics and society. His first novel was published in 1913. Lindsay became the highest paid Australian artist of is time.
Details in Blue
Infanta Isabel de Bourbon, 1866, by Vicente Palmaroli y Gonzalez.
Madame Charles Simon Favart, 1757, by François-Hubert Drouais.
Marie-Thérèse de Savoie, 1775, by Jean-Baptiste André Gautier-Dagoty.
Princesse de Broglie, 1853, by Jean Auguste Dominique Ingres.
Admiring the Gift, by Pio Ricci.
Portrait de Philomena Lynch, 1900’s, by Paul Jobert.
Marie-Antoinette with the Rose, 1783, by Louise Élisabeth Vigée Le Brun.
Anne Streatfeild, 1756, by Arthur Devis.
María Isabel Álvarez y Montes, 1868, by Federico Madrazo.
Portrait of Amalia de Llano, 1853, by Federico de Madrazo y Kuntz.