I found that the shots involving Ushio making his art were some of the most visual appealing. By framing Ushio with his larger work in a way that shrinks him as a part of the image. I also felt that the opening sequence of action painting used the fly on the wall method of cinema verite very interestingly. By allowing Ushio to inhabit the frame rather than forcing the frame to follow Ushio, watching Ushio occupy that space becomes much more appealing especially as he moves from the right to the left, filling the screen with paint.









