Out of everyone in the Oletus Massacre survivors, who do you think would make the best parent if they were ever forced in a situation to raise a child?
Probably none because they all have their own stuff to deal with but honestly I'm kinda curious. I wanna see what other people think
Even though I'm going to answer this with as little speculation as possible/focus on Analysis, I'm going to tag this as Corviscor Headcanons as well because I'll be mentioning Detective and Charm and, as much as I love them, we barely have any information we know remains canonical and given that grey zone I want to acknowledge what speculation I do have.
Moving on to who would make the best parent.
Burke
First off, Burke. Don't let his standoffish exterior fool you, I think out of all the Oletus Manor Massacre survivors, Burke would be the best at raising a kid. First off, Burke may have already been in a position to know how to deal with kids. We learned from Burke's Sixth Letter that he had a sister and, though she has died, his nephew Umberto is still alive (Burke Sixth Letter). It's unknown how old Umberto is, barring he's an adult, but it's possible Burke was old enough to have gained quite some experience helping his sister (If they were close enough).
While pretending he was irritated by their presence, it's clear very early on that Burke genuinely cares for the DeRoss children. He doesn't like them intruding his business, but he hates the alternative more. In his Once skin's animation, Burke will hear the specter of Alice, making him wonder if a life without loving is better than having loved and loss. The effectiveness of Burke as a babysitter, with both Orpheus and Alice hosting fond memories of them, shows Burke was able to implement this well into Bonbon (alongside Mark Reznik's aid and Bonbon's own sapience). Burke was the first known characters to sound the alarms on the Blanches being abusive (Bonbon Fourth Deduction). Considering Orpheus' position as a lower class child with living abusive birthparents made his circumstance incredibly easy to ignore, I think it shows Burke will believe in the right thing rather than the accepted thing.
This goes up to and including him potentially leaving Oletus Manor after being affected by Tracy Reznik, a girl that reminded him of Alice, and the near-death of Luca Balsa, a boy that reminded him of Orpheus (Burke Second and Third Letters). Though it remains unclear due to his Fourth Letter having him deny the possibly to Orpheus, it still remains as attempted deflection and, combined with it potentially being an attempt to force Orpheus to quit relying on the games, it showed he is willing to risk everything to offer a slight chance to this kid (Bonbon Fourth Letter, Luca Fourth Letter). Something many parents in IDV won't do.
Burke has already been declared Father Material, with him being the father for the 2021 Weibo and 2022 Global Father's Day artwork, joining a lucky few alongside Novelist, Leo Beck, and Herman Balsa and Alva Lorenz. In spite of his subpar treatment of Bonbon at times (Leo, Herman, and Alva certainly aren't perfect either), I do think it's telling Burke is included, even if the... choices for Father's Day can be weird. Mike and Murro Morton being included for Father's Day, implicitly for Bernard, for example. Or Lily.
Combining everything together, and additional information such as Alice depicting Burke as gentle in her memories in Cage of Yesteryear, I think it shows Burke could turn off his irritable exterior to make sure a child felt secure and that he would put the wellbeing of said child over doing what was easy. He's father material.
1.5. Bonbon.
I'm placing Bonbon with Burke since Bonbon seems more interested in helping their father and supporting as a community, but Bonbon would love to raise a child. They would do it very well! With Bonbon being designed to work with children (Bonbon Second Deduction), we can see this reflected in how Bonbon behaves in events and quotes: compassionate, patient, and a little naive. Moving on from their... security additions, we see that many of Bonbon's features were designed to entertain children, with it being the purpose of an older design of their bombs (Outdated Feature emote).
Bonbon has previously been portrayed as a protector or caretaker of children in events such as the recent Food Charity, where they work with cats to feed starving children. Part of their trust towards Luca Balsa and Tracy Reznik were due to them reminding Bonbon of Orpheus and Alice. Bonbon would likely see the importance of making sure a child's wellbeing is guaranteed, especially to Burke and Bane, and they would do everything they could to help.
2. Bane
Bane's running very close behind Burke in terms of raising a well-adjusted child, even with all the trauma he's dealt with. It's already known that Bane has soft spots for kids, such as carving birthday presents for the DeRoss kids, fearing they could be injured by poaching traps (Bane First and Fourth Letter), and feeling protective towards orphaned baby animals like Blacknose.
Bane's injuries, too, were caused by softness towards children. He let a poacher boy go, only for said child to help participate in crippling him before the Oletus Manor Massacre. This scarred him, physically and mentally, vowing to never show mercy to another person. In spite this, he feels disturbed at the treatment of Will, the arguable "innocent" to enter Oletus Manor (Bane Third Letter).
As for Bane himself, he is very patient, taking the time and effort needed to manage an entire forest filled with animals, tracking down individuals to monitor the population. He is compassionate, too, to the point of reducing conflict between him and his step-family, and being willing to raise Blackness himself.
The only reason I'm putting Bane below Burke is that Burke has Bonbon to help him, while Bane is in the woods. Though, given their characters, I wouldn't be shocked if Burke asked Bane to help or vice versa. Bane also seems to not mind the kids playing on their own, but that seems to have only become a problem due to the bandits and "rangers" such as the Blanches. Otherwise, it seems to be a forest (it's hard to tell if the Darkwoods wolves are canon; my joke suggestion is that Dennis DeRoss imported them and the moose).
One might ask then, why didn't Bane and Burke intervene in either stopping Orpheus' vengeance or adopting Alice. In the former's case, based off Bane's Ninth Deduction, Burke and Bane may have felt it was the only way to mitigate Orpheus' mental illness. He was clinging onto it. Considering Bane was already killing intruders, letting Orpheus' dependency develop benefitted him and Bane (Bane Second Letter). Second, Bane's Seventh Letter implies Orpheus relied on his parents' friends/the Mediterranean Deal participants to afford Bane's medication for chronic pain. He could not stop the Games, at least initially, without harming his loved ones. Bane himself likely would not want to stop taking pain medication unless he had to. It makes the possibility he left Oletus to attempt to force Orpheus to stop more heartbreaking, as much as the other possibility he died.
As for Alice, it's clear that Burke and Bane had been declared missing in the aftermath of the Oletus Manor Massacre, with Orpheus facing difficulty removing his (or Alice's in the NAEU translation) case file, due to him not being blood family in spite evidence of kinship. Exposing themselves, on top of going against their own coping mechanisms of defending Oletus, would risk exposing Orpheus as Baron DeRoss. Besides, considering the Netherwalker version of Alice DeRoss' letter, regarding the denial on the basis of being blood family, may still be canon, it's likely that Burke and Bane would've been denied visitation or adoption too. Tragedy has no easy solution.
Though it didn't end well, I do think it highlights how much Bane cares about the kids in his life in how he supported Orpheus, both to protect Orpheus himself and, since it's implied at some point the Manor Staff learned Alice wasn't dead, to try and guarantee Alice's health. I think he would do the same for a child he raised.
3. Orpheus
It'd probably take a couple years of therapy, but I do think Orpheus would be a pretty good father after if he got his issues together. Even as he currently struggles inside Orpheus Manor, we do see that the wellbeing of children are a concern to him. Part of the temptation Reichenbach offered (alongside Orpheus' old pen name) to convince Orpheus to return was the , even before he suspects Memory is his child (actually a personification of nostalgia/trauma) in the Time of Reunion Muse Corridor, he runs after her in concern. Notably, there also seem to have not been any actual young children invited to the Oletus Manor Games, with Lily and Martha (and likely Kai) being young adults.
As an interesting contrast to his work as a horror writer, Orpheus shows a lot of connections to the idea of childhood. He started writing scary stories as a child (as seen in AOM I), with the distinction between these and his later stories being that they weren't based off the traumas others or himself suffered. Orpheus' birthday- and the birthday of IDV as a whole- is April 2nd. This happens to be Hans Christian Anderson's birthday and, consequently, Children's Literature Day. Right now, an event focusing on Children's Day is focusing on the Novelist identity. This is a callback to none other than the 2018 Children's Art, where child Detective plays with IDV toys. It also revealed the moral of IDV itself: "Everyone's got a moral, only if you can find it." No one is truly evil.
I assume Orpheus raising a child, like all his life occurrences, would require the cooperation of his identities. Nightmare and Novelist seem to be well-equipped, given that both have been depicted as fathers towards Memory, including the cutest official art in IDV. They have been declared Father Material. While Detective's struggles with mental illness are more obvious than NM or Novelist, he shows sincere earnestness. Given he's already sobered up and is attempting to improve his mental health, I imagine he would intensify this effort if he was racing a child. Charm I think would be the least equipped, due to Charm being prone to irritation and his struggles to communicate. Still, we know this behavior is due to his struggles, not malice. With cooperation from the others, I think he would manage.
4. Alice
I love Alice but after all of her letters I do not think she would neither enjoy nor desire raising a child. Compared to her brother, we don't have indications Alice desires starting another family, but rather wants to honor her parents socially and preventing another Oletus Massacre by reporting on other cases. There's an interesting contrast with how Orpheus and Alice seek healing through a 'individual' or 'systemic' process (and how Orpheus' harm is personal and Alice's systemic).
Alice has shown impatience towards people she finds rude or brusque towards her, even if they have understandable circumstances for said emotions, such as Alger (Naib Sixth Letter). She also shows difficulty adjusting her perspective towards children's opinions compared to advice from adults, as seen in her interactions with Mia (Emily Sixth and Seventh Letters). This isn't great when working with kids. They can be notoriously bratty, even good kids, and one needs the patience to guide them in the right direction without lashing out. Children notice when their perspectives are being dismissed. It can affect them.
This is not to say that is awful with kids; she's shown getting along with Memory, who is somewhat her childhood self, somewhat a unique entity. At the same time, her perception of her as a mother is more from Detective's perspective on Novelist's life, rather than Alice being placed in this position from her own perspective. The reality of Orpheus' childhood is too absurd to reconstruct without knowing it (though all memories are reconstructions), so he places himself in a societally palatable alternative, rather than a vengeful adopted son. Alice cannot fit into this narrative, so her fragments are split between the mother and Memory. Alice doesn't do this to herself.
So, the reason why I ranked it the way I did was that Burke and Bane (and Bonbon) show both experience handling children and the desire, Orpheus desires parenthood and was even manipulated on said desire, and Alice's focuses more on reclaiming her own childhood.
















