#cory wright

[beetlelandiart]

pt 4 of the trip. yea

(DONT MAKE ME TAP THE SIGN!!! if yr gonna use my art [don’t repost] u gotta credit me!!)

[bsahely]

First principles in the life sciences: the free-energy principle, organicism, and mechanism | Matteo Colombo and Cory Wright

First principles in the life sciences: the free-energy principle, organicism, and mechanism | Matteo Colombo and Cory Wright

Reproduced from: https://link.springer.com/content/pdf/10.1007%2Fs11229-018-01932-w.pdf

Cite this article as: Colombo, M. & Wright, C. Synthese (2018). https://doi.org/10.1007/s11229-018-01932-w

Synthese

https://doi.org/10.1007/s11229-018-01932-w

S.I. : FIRST PRINCIPLES IN SCIENCE 

First principles in the life sciences: the free-energy principle, organicism, and mechanism

Matteo Colombo1 · Cory…

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Arma Agharta and Song & Dance Trio, Luggage Store Gallery, San Francisco

Today we look back at the recent show featuring Song & Dance Trio and Lithuanian sound-and-performance artist Arma Agharta at the Luggage Store Gallery in San Francisco. It was the subject of a recent episode of CatSynth TV.

I have seen the members of Song & Dance Trio, Karl Evangelista (guitar), Jordan Glenn (drums) and Cory Wright (baritone saxophone) many times before in many musical contexts, but this was the first time I saw them as a trio. As one can hear in the video, they mixed complex virtuosic avant-garde performance with familiar jazz idioms. And they made it work. There was a strong rhythmic sense throughout the set, with the musicians moving freely between a relaxed shuffle and frenetic staccato runs. The familiar jazz figures sprinkled throughout were fun, but the more experimental interludes were a palette cleanser that made the grooves stand out more strongly.

[Song & Dance Trio (Evangelista, Glenn, Wright)]

Next up was a solo performance by Arma Agharta, a Lithuanian sound-performance-artist who was kicking off the west-coast swing of his United States tour. I didn’t know quite what to expect, even after looking at his interesting setup with a mixture of sound-making objects and electronic instruments.

[Arma Agharta’s colorful electro-acoustic rig]

And then he took the stage wearing a large pointed had and colorful robe. Things started quietly but very quickly turned to a loud, frenzy of sound, movement, and vocals.

[Calm and anything-but-calm moments with Arma Agharta]

This was one of the most physically and sonically intense solo performances I have seen in a while, and the energy was nonstop for most of the duration, with just a few ebbs and pauses. An endurance test for performer and audience alike. I haven’t heard anything quite like it, and it is hard to do justice either in written or video form. The intense sounds were from many layers of electronics, including recorded sounds played at high volume along with Arma Agharta’s own powerful voice howling, bellowing, and other vocalizations.

It was interesting to see such different performances in the same show and to assemble them into a single 3-minute video. But it worked both live and recorded. We wish Arma Agharta well on his next tour (last we saw he was in Turkey) and hope to hear more from him. We, of course, will continue to follow Evangelista, Glenn, and Wright on their musical adventures here in the Bay Area.

Arma Agharta and Song & Dance Trio, Luggage Store Gallery, San Francisco was originally published on CatSynth