Démoniaque (c. 1904) by Alfred Philippe Roll (French, 1846 – 1919), graphite and pastel on paper, 243 × 142 cm (approximately 95.7 × 55.9 in), Petit Palais, Musée des Beaux-Arts de la Ville de Paris
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Démoniaque (c. 1904) by Alfred Philippe Roll (French, 1846 – 1919), graphite and pastel on paper, 243 × 142 cm (approximately 95.7 × 55.9 in), Petit Palais, Musée des Beaux-Arts de la Ville de Paris
In this pencil study, I wanted to depict the fall of God's favorite angel, the moment of transformation, the evolution from good to evil, from favorite to outcast.
he cries, because his ethereal aura is already beginning to fade.
My first drawing of the Dumas-verse. Athos from The Three Musketeers.
Drawn like a servant of a dark king, drowing his guilt in some foul wine drawn straight from Cthulu's vineyard.
His character design remains a bit plain with the typical musketter's silks. But his three fellows will be far more flamboyant!
Les trois mousquetaires version démoniaque version française.
My first de Winter fanart! I wanted to draw her in the same style I did for the Mouskos but more intellectual-oriented (like Aramis). I took a lot from Van Dyck's portrait of Lucy Hay (1637), the countess of Carlisle who might have inspired Dumas' Milady.
The hair is supposed to evoke a cortex, with an inking appendix to write her name and the secret letters she's holding (next adventure's Mac-Guffins?)
Her mantis-like right arm symbolizes her past as a nun and her "complicated" conjugal relationships, same for the mechanical spider legs (which also embody her craftiness at extending her influence). Although both animals don't cannibalize their male counterparts 100% of the time ( more like 1 time out of 3 but still!)
Far less ambiguous: the venomous snake-shaped glass carafe. There's something in this wine and it's not just grape!
Done with: Sketchbook