#dailyops

[rjredfield]

Another thing to take out of my list! 😂😆 Woohoo! Lucky day today! 😂😆 #DaddyRJRedfieldVault69 #PS4 #Fallout #Fallout76 #DailyOps 👊😉𝕐𝕖𝕒𝕙 𝔹𝕒𝕓𝕪! 𝕆𝕙 𝕄𝕒𝕞𝕒! 𝕎𝕒𝕓𝕒𝕒𝕞!💥💨 𝕎𝕦𝕥 𝕎𝕙𝕒𝕥!!!! (at Steele Creek Area Of Charlotte NC) https://www.instagram.com/p/CItw2oZhtsMBXqEvSHKTmR_5YRuHxepwK-ahV80/?igshid=1txjg5e4pag2k

[rosekim520-blog]

@abito_co - - - #코튼원피스 고밀도 #주름진원피스 #레티놀 발라줘야하나.. 오묘한#그레이원피스 컬러이쁨 뒤에리본까먹고못찍음 😖 뚠뚠이도날씬이도 편하게입어요 #dailyops #여름엔원피스 (Seoul, South Korea에서) https://www.instagram.com/p/BzYwopQpRh9/?igshid=13d3qeu20n3v7

[trendnory]

#camouflage #stadiumjumper#dailyops#jersey#woman

[cokemachineglow]

Photo-Ops

Nicki Minaj’s plea to be pointed to the best ass eater has finally been answered.

[cokemachineglow]

Concert Weeview / Jeff Mangum

http://www.cokemachineglow.com/dailyops/6572/weeview-jeffmangum-2011

His straight renditions are both more than and never enough, amazing in their mere existence and yet all too humanizing, just some good songs from a guy who hasn’t yet proven he’s written a thing since 1998.

[cokemachineglow]

Track Review / GH

http://www.cokemachineglow.com/dailyops/6594/gh-earth-2011

GH’s contribution is “junglist hardcore stripped of its percussion,” and these three tracks seem to have found their author with his head shaved and shoved in a dungeon. He’s only got rats and recording hardware for company, and some dark shit’s about to go down. If Howell’s parent genre is witch house then this EP is its blackest possible cauldron.

"Earth":

[cokemachineglow]

Track Review / Guided by Voices

http://www.cokemachineglow.com/dailyops/6601/guidedbyvoices-theunsinkablefatsdomino-2011

“The Unsinkable Fats Domino” is immediately, indisputably a Guided by Voices track, and that cruddy lo-fi sound, like cassette tape left under a gentle sun, sounds more refreshing than ever.

"The Unsinkable Fats Domino":

[cokemachineglow]

Track Review / Ariel Pink's Haunted Graffiti

http://www.cokemachineglow.com/dailyops/6600/arielpinkshauntedgraffiti-witchhuntsuiteforwwiii-2011

The single sixteen minute piece plays as a sort of bridge between Pink’s early, tape strangled anti-pop and his newly hi-glossed, disco-leaning new wave. It’s just nominally qualified and low stakes enough not to be unfairly judged as the follow-up to one of recent indie rock’s most unexpected watersheds, but oddly zany, topically steadfast, and catchy enough to appeal to both Pink diehards and recent converts alike. 

"Witchhunt Suite for WWIII":