Victor Cagnin | Vienna State Ballet (Wiener Staatsballett) | Photo by Marian Furnica
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Victor Cagnin | Vienna State Ballet (Wiener Staatsballett) | Photo by Marian Furnica
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“Self-alignment is born in the fire of resistance, where every obstacle becomes a teacher of inner truth.”
My birthday gift to myself this year: a pretty leotard and an adorable dance skirt to match, spring and floral themed.
Life is short, so I'm wearing cute things to the dance studio, and you'll never see me in a plain black leotard again.
A pretty 1927 pale lime green crêpe de chine dancing dress from Atelier Bachwitz, a Jewish-owned Vienna-based publishing house that published exquisite fashion and lifestyle magazines from 1898 to 1938.
The straight line silhouette is typical of the 1920s, the clever, zigzag piecing of the fabric more common after 1925 as the Art Deco aesthetic took hold. Loose, fluttering bias-cut ruffles became popular right around 1926 and got more and more fluttery as the decade progressed. Bright, cheerful colors in lightweight silks were fashionable the entire decade.
Looking at the image, I believe the skirt flounces are petal-shaped at the bottom, something like quarter-circles in cut, and freehanging from each other. A pain straight slip of matching silk worn underneath would protect modesty as the flounces flared out like flower petals while dancing.
Victor Cagnin | Balance by Cherevychko Dancewear
Together. Alone.